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Tune authorities

[O God of hosts, with Thy strong hand]

Appears in 8 hymnals Composer and/or Arranger: Edvard Hagerup Grieg Incipit: 51234 51773 45673 Used With Text: Fatherland's Psalm

O Native Land, how fair you seem

Author: Myrtle K. Cherryman Appears in 3 hymnals Used With Tune: HAGERUP

Author: Henry Williams Baker Meter: 6.6.6.6 Appears in 208 hymnals Lyrics: 1 Lord, thy Word abideth and our footsteps guideth; who its truth believeth light and joy receiveth. When our foes are near us, then thy Word doth cheer us; word of consolation, message of salvation. 2 When the storms are o'er us, and dark clouds before us, then its light directeth, and our way protecteth. Who can tell the pleasure, who recount the treasure, by thy Word imparted to the simple-hearted? 3 Word of mercy, giving succor to the living; Word of life, supplying comfort to the dying! O that we, discerning its most holy learning, Lord, may love and fear thee, evermore be near thee. Topics: God's Word The Holy Scriptures; Consolation Scripture: Psalm 19:7 Used With Tune: GRIEG

O God of Hosts, with thy strong hand

Author: Nordahl Rolfsen Appears in 8 hymnals Used With Tune: HAGERUP

Instances

Published text-tune combinations (hymns) from specific hymnals

Lord, Thy Word Abideth

Author: Henry Williams Baker Hymnal: Trinity Hymnal (Rev. ed.) #142 (1990) Meter: 6.6.6.6 Lyrics: 1 Lord, thy Word abideth and our footsteps guideth; who its truth believeth light and joy receiveth. When our foes are near us, then thy Word doth cheer us; word of consolation, message of salvation. 2 When the storms are o'er us, and dark clouds before us, then its light directeth, and our way protecteth. Who can tell the pleasure, who recount the treasure, by thy Word imparted to the simple-hearted? 3 Word of mercy, giving succor to the living; Word of life, supplying comfort to the dying! O that we, discerning its most holy learning, Lord, may love and fear thee, evermore be near thee. Topics: God's Word The Holy Scriptures; Consolation Scripture: Psalm 19:7 Languages: English Tune Title: GRIEG

O God of Hosts, with Thy Strong Hand

Author: Zacharias Topelius, 1818-1898; Nordahl Rolfsen, 1848-1928 Hymnal: The Cyber Hymnal #4894 Meter: 8.8.8.8 Lyrics: 1. O God of Hosts, with Thy strong hand, Protect the sons of our fair land; Be Thou our Shield in war or peace, And guide our steps till life shall cease. 2. Thou Lord, defend this land of ours, Its smiling shores, its mountain towers; Thy blessing on its future shed Like morning dew when night is fled. 3. In truth and light we fain would grow, Thy laws would love, Thy Word would know; In Thee we will for aye abide; O Lord of all, be Thou our guide! Languages: English; Norwegian Tune Title: GRIEG

O God of Hosts, with thy strong hand

Author: Nordahl Rolfsen Hymnal: Hymnal for American Youth #P58 (1919) Languages: English Tune Title: HAGERUP

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People

Authors, composers, editors, etc.

H. W. Baker

1821 - 1877 Person Name: Henry Williams Baker Author of "Lord, Thy Word Abideth" in Trinity Hymnal (Rev. ed.) Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"— Perverse and foolish, oft I strayed, But yet in love He sought me, And on His Shoulder gently laid, And home, rejoicing, brought me." This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life. Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877. --John Julian, Dictionary of Hymnology (1907)

Edvard Grieg

1843 - 1907 Person Name: Edvard Grieg, 1843-1907 Composer of "GRIEG" in Trinity Hymnal (Rev. ed.) Edvard Hagerup Grieg Born at Bergen, Norway, of Scottish descent, son of a merchant and vice-consul in Bergen, his mother was a music teacher. He became a pianist and composer, with his standard classical repertoire known worldwide. He developed Norwegian folk music into his own compositions, helping to develop a national musical identity. As a child his mother taught him piano from age six. He attended several schools. His uncle, a Norwegian violinist, recognized his nephew’s talents at age 15 and urged his parents to send him to the Leigzig Conservatory in Germany. He enrolled there and concentrated on piano. He enjoyed the many concerts and recitals given in Leipzig. He disliked the discipline of the conservatory course of study, but he loved the organ, mandatory for piano students. In 1860 he survived a life-threatening lung disease, pleurisy and tuberculosis. Throughout life, his health was impaired by a destroyed left lung and disformity of his thoracic spine. He suffered numerous respiratory infections, and ultimately developed combined heart and lung failure. He was admitted many times for various spas and sanatoria in both Norway and abroad. Several of his doctors became close friends. In 1861 he made his debut as a concert pianist at Karlshamm, Sweden. He finished Leipzig studies in 1862 and held a concert in his hometown, playing Beethoven’s ‘Pathetique’ sonata. In 1863 he went to Copenhagen, Denmark, remaining there three years. There he met Danish composers and a fellow Norwegian composer, Rikard Nordraak, who wrote the Norwegian National Anthem. When Nordraak died in 1866, Grieg composed a funeral march in his honor. In 1867 Grieg married his first cousin, Nina Hagerup. Their only child, Alexandra, was born the following year. She died from meningitis at age two. In 1868 he wrote his Piano Concerto in A-minor. It was performed by Edmund Nuepert in Copenhagen because Grieg was in Norway at the time, fulfilling other commitments. In 1868 Franz Liszt, not yet having met Grieg, wrote a testimonial of him, resulting in Grieg’s obtaining a travel grant. The two met in Rome in 1870. Each was impressed with the other’s musical accomplishments. Grieg had close ties with the Bergen Philharmonic Orchestra and became its leader 1880-1882. In 1888 Grieg met Tchaikovsky in Leipzig. He was struck by Tchaikovsky’s sadness. Tchaikovsky praised Grieg’s music. The Norwegian government awarded Grieg a pension. In 1903 he made gramophone recordings of his piano music in Paris, France. He also made live piano music rolls for the Hupfeld Phonola piano-player system and Weldt-Mignon reproducing system. He also worked with the Aeolian Company for its ‘Autograph Metro-style’ piano roll series, wherein he indicated the tempo mapping of many of his pieces. In 1906 he met pianist and composer, Percy Grainger, in London. Grainger was an admire of Grieg’s music, and they developed a strong empathy for each other. Grieg wrote of Grainger: “I have written Norwegian dances that no one in my country can play, and here comes this Australian who plays them as they ought to be played. He is a genius that we Scandinavians cannot do other than love.” Grieg and his wife considered themselves Unitarians, and attended that church denomination. When Grieg died after a long illness, at age 64, his funeral drew more than 30,000 people in his hometown, who came out to honor him. His own funeral march, in honor of Nordraak, was played, along with a 2nd march, by his friend, Johan Halvorsen, who married Grieg’s niece. Grieg was cremated, with ashes entombed in a mountain crypt. Later, his wife’s were placed with his. John Perry