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Tune Identifier:"^ich_freu_mich_in_dem_herren_helder$"

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ICH FREU MICH IN DEM HERREN

Appears in 21 hymnals Composer and/or Arranger: Bartholmäus Helder Incipit: 15543 21122 43215 Used With Text: O day of rest and gladness

Texts

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Down from the Mount of Glory

Author: Werner H. Franzmann, 1905- Meter: 7.6.7.6 D Appears in 4 hymnals Topics: The Christian Year Transfiguration Used With Tune: ICH FREU MICH IN DEM HERREN Text Sources: Northwester Lutheran, Feb. 18. 1968
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O day of rest and gladness

Author: Bp. C. Wordsworth Appears in 825 hymnals Used With Tune: ICH FREU MICH IN DEM HERREN

Jesus deu sua vida

Author: desconhecido; Rodolpho F. Hasse, 1890-1968 Appears in 1 hymnal Topics: Paixão e Morte Scripture: John 14:2 Used With Tune: ICH FREU MICH

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Ich freu mich in dem Herren

Author: Bartholomäus Helder Hymnal: Evangelisches Gesangbuch (Bayern, Mitteldeutschland, Thüringen) #349 (2014) Lyrics: 1 Ich freu mich in dem Herren aus meines Herzens Grund, bin fröhlich Gott zu Ehren jetzt und zu aller Stund, mit Freuden will ich singen zu Lob dem Namen sein, ganz lieblich soll erklingen ein neues Liedelein. 2 In Sünd war ich verloren, sündlich war all mein Tun, nun bin ich neu geboren in Christus, Gottes Sohn; der hat mir Heil erworben durch seinen bittern Tod, weil er am Kreuz gestorben für meine Missetat. 3 All Sünd ist nun vergeben und zugedecket fein, darf mich nicht mehr beschämen vor Gott, dem Herren mein. Ich bin ganz neu geschmücket mit einem schönen Kleid, gezieret und gesticket mit Heil und G'rechtigkeit. 4 Dafür will ich ihm sagen Lob und Dank allezeit, mit Freud und Ehren tragen dies köstliche Geschmeid, will damit herrlich prangen vor Gottes Majestät, hoff darin zu erlangen die ewge Seligkeit. Topics: Glaube - Liebe - Hoffnung Rechtfertigung und Zuversicht Languages: German Tune Title: [Ich freu mich in dem Herren]
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Ich freu' mich in dem Herren

Author: Bartholomäus Helder Hymnal: Sonntagschulbuch #266 (1896) Languages: German Tune Title: [Ich freu' mich in dem Herren]

Ich freu mich in dem Herren

Author: Bartholomäus Helder Hymnal: Evangelisches Kirchengesangbuch #494 (1969) Languages: German Tune Title: [Ich freu mich in dem Herren]

People

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Anonymous

Person Name: desconhecido Author of "Jesus deu sua vida" in Hinário Luterano In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Richard Hillert

1923 - 2010 Person Name: Richard W. Hillert, 1923-2010 Arranger of "ICH FREU MICH IN DEM HERREN" in Christian Worship Richard Hillert was born in Granton, Clark County, Wis., on March 14, 1923. There he attended parochial and public schools and later enrolled at Concordia Teachers College (now Concordia University Chicago), River Forest, where he received the Bachelor of Science degree in Education. He served as teacher and music director for parishes in St. Louis, Mo., Wausau, Wis., and Chicago and Westchester, Ill. He received both the Master of Music and the Doctor of Music degrees in composition from Northwestern University, Evanston, Ill. His teachers included Matthew Nathaniel Lundquist, Anthony Donato, Alan Stout, Arrand Parsons, Emil Nolte, and John Ohl. He studied composition with the Italian composer, Goffredo Petrassi, at Aaron Copland’s Berkshire Music Center, Tanglewood, Mass. Richard Hillert was a noted Lutheran composer. He was Distinguished Professor of Music Emeritus at Concordia University Chicago, River Forest, Ill. He was best known for his work as a composer and teacher of composition. Among his most frequently performed liturgical works for congregation is Worthy Is Christ, with its antiphon, “This is the Feast of Victory” which was written as an alternate Song of Praise for inclusion in Setting One of the Holy Communion in Lutheran Book of Worship (1978) and Lutheran Worship (1982). "This is the Feast" is now widely published in more than 20 recent worship books of many denominations, most recently in Lutheran Service Book (2006) and Evangelical Lutheran Worship (2006). Other major liturgical works include a setting of Evening Prayer (1984) and a Eucharistic Festival Liturgy (1983), which was first performed at Holy Name Cathedral in Chicago. He wrote liturgical pieces and hymns and served as music editor for Worship Supplement(1969) and Lutheran Book of Worship (1978). His compositions and publications include an array of pieces of liturgical music for congregation, choral motets, hymns and hymn anthems, psalm settings and organ works, concertatos, and cantatas, including settings of The Christmas Story According to Saint Luke and The Passion According to Saint John. He edited eleven volumes of the Concordia Hymn Prelude Series. Hillert's career as Professor of Music at Concordia (now Concordia University Chicago) spanned four decades, from 1959 to 1993. During this time he taught classes in music theory and composition, music literature, 20th century music, orchestration, keyboard instruction, comparative arts and liturgical worship. He served in various capacities in the music department, as chair in 1964-65 and from 1986–89, as coordinator of the Master of Church Music program, and as associate editor of the journal Church Music (1966–80). Non-liturgical compositions include symphonic works for orchestra (Symphony in Three Movements, Variations for Orchestra, Suite for Strings), chamber works for small orchestra and ensembles (Alternations for Seven Instruments, Divertimento I and II) as well as many works for keyboard, instrumental solos and songs. The latter include Sonata for Piano (1961), a violin sonata, and two sonatas for flute and keyboard. Major organ works include Prelude and Toccata, Ricercata, Passacaglia on Innocent Sounds, Partita on Picardy, and Partita on Atkinson. There are also concert works with sacred texts, such as Five Canticles from the Exodus (1958), Te Deum for two pianos, percussion, and wind instruments (1962), The Alleluiatic Sequence (1980), and Seven Psalms of Grace for baritone solo and chamber orchestra (1998). Extended choral works, many written for Concordia’s Kapelle conducted by Thomas Gieschen, include the Cantata: "May God Bestow on Us His Grace" (1964), "Motet for the Day of Pentecost" for choir, vibraphone, and prepared electronic tape (written for the round-the-world tour in 1969), "Motet for the Time of Easter" for double choir, percussion, and harp (1971), and "Agnus Dei" for three choirs and percussion instruments (1974). Richard Hillert authored numerous scholarly articles and reviews for the periodicals such as Church Music, CrossAccent, and Currents in Theology and Mission, and other professional books and journals. He received an honorary Doctor of Sacred Music degree from Valparaiso University, and honorary Doctor of Letters degrees from Concordia University at Seward, Nebraska, and Concordia Seminary, St. Louis. He was an honorary life member of the Association of Lutheran Church Musicians. His former students throughout the land have careers as practicing church musicians, elementary and secondary school teachers, teachers in higher education, music editors and publishers, and composers. Richard Hillert was married to Gloria Bonnin Hillert. They had three children: Kathryn Brewer, Virginia and Jonathan Hillert. --en.wikipedia.org

Rodolfo Hasse

1890 - 1968 Person Name: Rodolpho F. Hasse, 1890-1968 Translator of "Jesus deu sua vida" in Hinário Luterano Started Comunidade Evangélica Luterana da Paz, affiliated with Igreja Evangélica Luterana do Brasil in 1932. It was the first Lutheran congregation in Rio de Janeiro. [Source?]

Hymnals

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Small Church Music

Editors: Charles Jeffries Description: History The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. About the Recordings All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Mobile App We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff. LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  

Llyfr Tonau Cynulleidfaol

Publication Date: 1868 Publisher: H. J. Hughes Publication Place: New York
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