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Search Results

Tune Identifier:"^jesus_calls_us_bell$"

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Tunes

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Audio

GAELIC AIR

Meter: 8.7.8.7 D Appears in 20 hymnals Composer and/or Arranger: John Bell Tune Sources: Gaelic air Tune Key: F Major Incipit: 55561 12345 43216 Used With Text: Jesus calls us here to meet him

Texts

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Text authorities

Jesus calls us here to meet him

Author: John L. Bell (b. 1949); Graham Maule (b. 1958) Meter: 8.7.8.7 D Appears in 13 hymnals Topics: Gathering; Children and All-Age Worship; Church nature of; Church Universal; Church Worship; Communion of Saints; Community; Ecumenism; Evangelism; Holy Communion; Jesus Life and Ministry; Unity Scripture: 1 Corinthians 10:16-17 Used With Tune: JESUS CALLS US (LEWIS FOLK MELODY)

God It Was

Author: John L. Bell, b. 1949 Meter: Irregular Appears in 3 hymnals First Line: God it was who said to Abraham Topics: Journey Scripture: Genesis 12:1-4 Used With Tune: JESUS CALLS US
Text

Come and find the quiet centre

Author: Shirley Erena Murray (b. 1931) Meter: 8.7.8.7 D Appears in 12 hymnals Lyrics: 1 Come and find the quiet centre in the crowded life we lead, find the room for hope to enter, find the frame where we are freed: clear the chaos and the clutter, clear our eyes, that we can see all the things that really matter, be at peace, and simply be. 2 Silence is a friend who claims us, cools the heat and slows the pace, God it is who speaks and names us, knows our being, touches base, making space within our thinking, lifting shades to show the sun, raising courage when we're shrinking, finding scope for faith begun. 3 In the Spirit let us travel, open to each other's pain, let our loves and fears unravel, celebrate the space we gain: there's a place for deepest dreaming, there's a time for heart to care, in the Spirit's lively scheming there is always room to spare! Topics: The Church Celebrates Wholeness and Healing; Encouragement; Freedom and Liberation Scripture: 2 Corinthians 1:4 Used With Tune: LEWIS FOLK MELODY

Instances

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Published text-tune combinations (hymns) from specific hymnals

Jesus Calls Us

Author: John L. Bell; Graham Maule Hymnal: Voices Together #30 (2020) Meter: 8.7.8.7 D First Line: Jesus calls us here to meet him Topics: Following Christ; God’s Call; Incarnation; Jesus Christ Teachings of; Justice Racial; Unity in Diversity Scripture: John 1:10-14 Tune Title: JESUS CALLS US

Jesus calls us

Author: John L. Bell; Graham Maule Hymnal: Iona Abbey Music Book #66 (2003) First Line: Jesus calls us here to meet him Languages: English Tune Title: JESUS CALLS US

Jesus calls us

Author: John L. Bell, b. 1949; Graham Maule, b. 1958 Hymnal: Complete Anglican Hymns Old and New #346 (2000) First Line: Jesus call us here to meet him Topics: Evangelism; Holy Communion; International relations; Joy, Praise and Thanksgiving Scripture: 1 John 1:1 Languages: English Tune Title: [Jesus calls us here to meet him]

People

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Authors, composers, editors, etc.

John L. Bell

b. 1949 Person Name: John L. Bell (b. 1949) Author of "Jesus calls us here to meet him" in Ancient and Modern John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink

Iona Community

Person Name: The Iona Community (Scotland) Adapter and Arranger of "JESUS CALLS US" in Common Praise (1998) Iona Community, an ecumenical Christian group of men and women based on the small island of Iona off the coast of Scotland. The community began in 1938 when the Rev. George MacLeod of the Church of Scotland began a ministry among the unemployed poor who had been neglected by the church. He took a handful of men to the island to rebuild the ruins of a thousand-year-old abbey church. That rebuilding became a metaphor for the rebuilding of the common life, a return to the belief that daily activity is the stuff of godly service – work, and worship. The Community has since grown to include a group of members, associates, and friends all over the United Kingdom and many other countries. In addition to many conferences that attract people to Iona from around the world, the Community is known for its publishing of new songs and prayers for worship, both developed in community and gathered from around the world. For more information on the Iona Community, check their website: www.iona.org.uk. John Bell is probably the community’s most well-known member, having composed and arranged much of the community’s music. Sing! A New Creation

Shirley Erena Murray

1931 - 2020 Person Name: Shirley Erena Murray (b. 1931) Author of "Come and find the quiet centre" in Church Hymnary (4th ed.) Shirley Erena Murray (b. Invercargill, New Zealand, 1931) studied music as an undergraduate but received a master’s degree (with honors) in classics and French from Otago University. Her upbringing was Methodist, but she became a Presbyterian when she married the Reverend John Stewart Murray, who was a moderator of the Presbyterian Church of New Zealand. Shirley began her career as a teacher of languages, but she became more active in Amnesty International, and for eight years she served the Labor Party Research Unit of Parliament. Her involvement in these organizations has enriched her writing of hymns, which address human rights, women’s concerns, justice, peace, the integrity of creation, and the unity of the church. Many of her hymns have been performed in CCA and WCC assemblies. In recognition for her service as a writer of hymns, the New Zealand government honored her as a Member of the New Zealand Order of Merit on the Queen’s birthday on 3 June 2001. Through Hope Publishing House, Murray has published three collections of her hymns: In Every Corner Sing (eighty-four hymns, 1992), Everyday in Your Spirit (forty-one hymns, 1996), and Faith Makes the Song (fifty hymns, 2002). The New Zealand Hymnbook Trust, for which she worked for a long time, has also published many of her texts (cf. back cover, Faith Makes the Song). In 2009, Otaga University conferred on her an honorary doctorate in literature for her contribution to the art of hymn writing. I-to Loh, Hymnal Companion to “Sound the Bamboo”: Asian Hymns in Their Cultural and Liturgical Context, p. 468, ©2011 GIA Publications, Inc., Chicago

Hymnals

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Published hymn books and other collections

Small Church Music

Editors: John L. Bell Description: History The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. About the Recordings All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Mobile App We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff. LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  
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