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HERE IS NO REST
Appears in 81 hymnals Incipit: 11233 45653 54324 Used With Text: Here o'er the earth as a stranger I roam
HERE IS NO REST
Touch Not the Cup
Author: James H. Aikman Appears in 41 hymnals First Line: Touch not the cup, it is death to thy soul Topics: Temperance Used With Tune: [Touch not the cup, it is death to thy soul]
Touch Not the Cup
Cleansing for Me
Author: Herbert Booth Meter: 10.8.10.8.10.10.10.8 Appears in 24 hymnals First Line: Lord, through the blood of the Lamb that was slain Lyrics: 1. Lord, through the blood of the Lamb that was slain,
Cleansing for me, cleansing for me;
From all the guilt of my sins now I claim
Cleansing from Thee, cleansing from Thee.
Sinful and black though the past may have been,
Many the crushing defeats I have seen,
Yet on Thy promise, O Lord, I now lean,
Cleansing for me, cleansing for me.
2. From all the sins over which I have wept,
Cleansing for me, cleansing for me;
Far, far away by the blood-current swept,
Cleansing for me, cleansing for me;
Jesus, Thy promise I dare to believe,
And as I come Thou wilt surely receive,
That over sin I may never more grieve,
Cleansing for me, cleansing for me.
3. From all the doubts that have filled me with gloom,
Cleansing for me, cleansing for me;
From all the fears that would point me to doom,
Cleansing for me, cleansing for me;
Jesus, although I may not understand,
In childlike faith now I stretch forth my hand,
And through Thy Word and Thy grace I shall stand,
Cleansèd by Thee, cleansèd by Thee.
4. From all the care of what men think or say,
Cleansing for me, cleansing for me;
From ever fearing to speak, sing or pray,
Cleansing for me, cleansing for me;
Lord, in Thy love and Thy power make me strong
That all may know that to Thee I belong;
When I am tempted, let this be my song,
Cleansing for me, cleansing for me. Used With Tune: LONG, LONG AGO Text Sources: Salvation Army's War Cry, March 26, 1886
Cleansing for Me
Here o'er the earth as a stranger I roam
Appears in 100 hymnals Used With Tune: [Here o'er the earth as a stranger I roam]
Here o'er the earth as a stranger I roam
Long, Long Ago
Author: T. H. B. Hymnal: Seth Parker's Hymnal #190 (1930) First Line: Tell me the tales that to me were so dear Lyrics: 1 Tell me the tales that to me were so dear,
Long, long ago,
Long, long ago;
Sing me the songs I delighted to hear,
Long, long ago, long ago.
Now you are come all my grief is removed,
Let me forget that so long you have rov'd.
Let me believe that you love as you lov'd,
Long, long ago, long ago.
2 Do you remember the path where we met,
Long, long ago,
Long, long ago?
Ah, yes, you told me you ne'er would forget,
Long, long ago, long ago.
Then, to all others my smile you prefer'd,
Love, when you spoke, gave a charm to each word,
Still my heart treasures the praises, I heard,
Long, long ago, long ago.
3 Tho' by your kindness my fond hopes were rais'd,
Long, long ago,
Long, long ago,
You by more eloquent lips have been prais'd,
Long, long ago, long ago.
But by long absence your truth has been tried,
Still to your accents I listen with pride,
Blest as I was when I sat by your side.
Long, long ago, long ago. Languages: English Tune Title: [Tell me the tales that to me were so dear]
Long, Long Ago
Longe de nun
Author: Thomas Haynes Bayly; F. Pfeil Hymnal: TTT-Himnaro Cigneta #101 First Line: Diru la vorton, kaŝitan en kor' Lyrics: 1. Diru la vorton, kaŝitan en kor’,
Longe de nun, longe de nun;
Kantu la kanton de ĉarma sonor’,
Longe de nun, longe nun!
Ofte turmentis min peza ĉagren’,
Ĉio heliĝis per via reven’.
Estas ja l’ am’ kiel brila ruben’,
Longe de nun, longe nun!
Iam ni sidis sub verda tili’,
Longe de nun, longe de nun;
2. Tie promesis ni amon al ni,
Longe de nun, longe nun!
Mi nur penadis por via favor’,
Vi min amuzis per gaja humor’,
Restis de l ’ amo plej dolĉa memor’,
Longe de nun, longe nun!
Multaj aliaj flatadis ja vin,
Longe de nun, longe de nun;
Tamen vi amis fidele nur min,
Longe de nun, longe nun!
3. Amon timigas nek tent’ nek danĝer’,
Estas kun vi paradizo sur ter’,
Dolĉe sonoras feliĉa mister’,
Longe de nun, longe nun! Topics: Love and Faithfulness Languages: Esperanto Tune Title: LONG, LONG AGO
Longe de nun
Touch Not the Cup
Author: J. H. Aikman Hymnal: Tears and Triumphs #197 (1894) First Line: Touch not the cup, it is death to the soul Languages: English Tune Title: LONG, LONG AGO
Touch Not the Cup
Mary Dana Shindler
1810 - 1883 Person Name: Mary S. B. D. Shindler Author of "Shed Not A Tear" in The Cyber Hymnal Shindler, Mary Stanley Bunce, née Palmer, better known as Mrs. Dana, was born in Beaufort, South Carolina, Feb. 15, 1810. In 1835 she was married to Charles E. Dana, of New York, and removed with him to Bloomington, now Muscatine, Iowa, in 1838. Mr. Dana died in 1839, and Mrs. Dana returned to South Carolina. Subsequently she was married to the Rev. Robert D. Shindler, who was Professor in Shelby College, Kentucky, in 1851, and afterwards in Texas. Mrs. Shindler, originally a Presbyterian, was for some time an Unitarian; but of late years she has been a member of the Protestant Episcopal Church. As Mary S. B. Dana she published the Southern Harp, 1840, and the Northern Harp, 1841. From these works her hymns have been taken, 8 of which are in T. O. Summers's Songs of Zion, 1851. The best known are:—
1. Fiercely came the tempest sweeping. Christ stilling the storm. (1841.)
2. I'm a pilgrim, and I'm a stranger. A Christian Pilgrim. (1841.)
3. O sing to me of heaven. Heaven contemplated. (1840.) Sometimes given as "Come, sing to me of heaven." [Rev. F. M. Bird, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
===================
Shindler, Mary S. B., p. 1055, i. Other hymns usually attributed to this writer, are "Prince of Peace, control my will" (Perfect Peace), in the Church of England Magazine, March 3, 1858, in 32 lines; and " Once upon the heaving ocean" (Jesus calming the Sea).
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Mary Dana Shindler
William Hunter
1811 - 1877 Author of "Joyfully, joyfully, onward I move" in The Seventh-Day Adventist Hymn and Tune Book Hunter, William, D.D, son of John Hunter, was born near Ballymoney, County Antrim, Ireland, May 26, 1811. He removed to America in 1817, and entered Madison College in 1830. For some time he edited the Conference Journal, and the Christian Advocate. In 1855 he was appointed Professor of Hebrew in Alleghany College: and subsequently Minister of the Methodist Episcopal Church, at Alliance, Stark Country, Ohio. He died in 1877. He edited Minstrel of Zion, 1845; Select Melodies, 1851; and Songs of Devotion, 1859. His hymns, over 125 in all, appeared in these works. Some of these have been translated into various Indian languages. The best known are :—
1. A home in heaven; what a joyful thought. Heaven a Home. From his Minstrel of Zion, 1845, into the Methodist Scholar's Hymn Book, London, 1870, &c.
2. Joyfully, joyfully onward I [we] move. Pressing towards Heaven. This hymn is usually dated 1843. It was given in his Minstrel of Zion, 1845, and Select Melodies, 1851, and his Songs of Devotion, 1859. It has attained to great popularity. Two forms of the hymn are current, the original, where the second stanza begins "Friends fondly cherished, have passed on before"; and the altered form, where it reads: “Teachers and Scholars have passed on before." Both texts are given in W. F. Stevenson's Hymns for Church & Home, 1873, Nos. 79, 80, c.
3. The [My] heavenly home is bright and fair. Pressing towards Heaven. From his Minstrel of Zion, 1845, into the Cottage Melodies, New York, 1859, and later collections.
4. The Great Physician now is near. Christ the Physician. From his Songs of Devotion, 1859
5. Who shall forbid our grateful[chastened]woe? This hymn, written in 1843, was published in his Minstrel of Zion, 1845, and in his Songs of Devotion, 1859. [ Rev. F. M. Bird, M.A.]
--John Julian, Dictionary of Hymnology (1907)
William Hunter
Anonymous
Person Name: Unknown Composer of "HERE IS NO REST" in The Seventh-Day Adventist Hymn and Tune Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
