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Tune Identifier:"^my_soul_exults_with_praise_and_gabriel$"

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KIAWAH

Meter: 8.8.8.8 Appears in 7 hymnals Composer and/or Arranger: Charles Hutchinson Gabriel Tune Key: G Major or modal Incipit: 51215 34315 55332 Used With Text: Throughout My Fallen Soul I Feel

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I Left The God Of Truth And Light

Author: James Montgomery Appears in 33 hymnals Lyrics: 1 I left the God of truth and light, I left the God who gave me breath, To wander in the wilds of night, And perish in the snares of death. 2 Sweet was His service, and His yoke Was light and easy to be borne; Through all His bonds of love I broke, I cast away His gifts with scorn. 3 I danced in folly’s giddy maze, And drank the sea, and chased the wind; But falsehood lurked in all her ways, Her laughter left remorse behind. 4 I dreamed of bliss in pleasure’s bowers, While pillowing roses stayed my head; But serpents hissed among the flowers; I woke, and thorns were all my bed. 5 In riches when I sought for joy, And placed in sordid gains my trust, I found that gold was all alloy, And worldly treasure fleeting dust. 6 I wooed ambition, climbed the pole, And shone among the stars—but fell, Headlong, in all my pride of soul, Like Lucifer, from Heav’n to hell. 7 Heart-broken, friendless, poor, cast down, Where shall the chief of sinners fly, Almighty Vengeance, from Thy frown? Eternal Justice, from Thine eye? 8 Lo, through the gloom of guilty fears, My faith discerns a dawn of grace; The Sun of Righteousness appears In Jesus’ reconciling face. 9 My suffering, slain, and risen Lord, In sore distress I turn to Thee; I claim acceptance on Thy word; My God, my God, forsake not me. 10 Prostrate before the mercy seat, I dare not, if I would, despair; None ever perished at Thy feet, And I will lie for ever there. Used With Tune: KIAWAH Text Sources: The Christian Psalmist (Glasgow, Scotland: Chalmers & Collins, 1825)
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The Place Prepared

Author: H. M. DuBose Meter: 8.8.8.8 Appears in 2 hymnals First Line: My soul exults with praise and love Refrain First Line: O court of bliss! O mansion fair! Lyrics: 1. My soul exults with praise and love, Because my Lord hath said to me— Within My Father’s house above I have prepared a place for thee. Refrain O court of bliss! O mansion fair! Where I the King Himself shall see, And crowned with joys beyond compare Shall dwell with Him eternally. 2. His blood hath sealed my deathless right To that blest home beyond the sea; My portion with the saints in light, The place He hath prepared for me. [Refrain] 3. It is not far—that home of mine, That mansion by the cloudless sea; Each morn its portals brighter shine, Each eve it nearer comes to me. [Refrain] 4. A gladsome dawn at last shall bring My bark across the crystal tide. And I shall greet my Savior king And in my Father’s house abide. [Refrain] Used With Tune: KIAWAH
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Jesus, Thou God Of Nations, Bend

Author: Susanna Harrison Meter: 8.8.8.8 Appears in 2 hymnals Lyrics: 1 Jesus, Thou God of nations, bend The skies, and let the rain descend, But not Thy wrath—in mercy bless This land with showers of righteousness. 2 Pour down some tokens of Thy love; Impending punishment remove: Pour down the Spirit of Thy grace, That every soul may seek Thy face. 3 Forbid this land should ever be Forsaken utterly by Thee! Let not Thy sore displeasure rest Upon a nation so distressed. 4 Her woes, her poverty, her need, With Thy compassion we would plead; Enrich her, Lord, in every place, With all the plenitude of grace. 5 O water every sacred ground, Where’er the seeds of truth are found, And make the fruits of Zion’s hill The glory of this nation still. 6 Why should this once high-favored place Be ever banished from Thy face? Let not our sin our ruin prove, In wrath descend not, but in love. Used With Tune: KIAWAH Text Sources: Songs in the Night (Ipswich, England: Punchard & Jermyn, 1780)

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The Place Prepared

Author: H. M. DuBose Hymnal: The Cyber Hymnal #5602 Meter: 8.8.8.8 First Line: My soul exults with praise and love Refrain First Line: O court of bliss! O mansion fair! Lyrics: 1. My soul exults with praise and love, Because my Lord hath said to me— Within My Father’s house above I have prepared a place for thee. Refrain O court of bliss! O mansion fair! Where I the King Himself shall see, And crowned with joys beyond compare Shall dwell with Him eternally. 2. His blood hath sealed my deathless right To that blest home beyond the sea; My portion with the saints in light, The place He hath prepared for me. [Refrain] 3. It is not far—that home of mine, That mansion by the cloudless sea; Each morn its portals brighter shine, Each eve it nearer comes to me. [Refrain] 4. A gladsome dawn at last shall bring My bark across the crystal tide. And I shall greet my Savior king And in my Father’s house abide. [Refrain] Languages: English Tune Title: KIAWAH

The Place Prepared

Author: H. M. DuBose Hymnal: Epworth Praises #11 (1909) First Line: My soul exults with praise and love Refrain First Line: O court of bliss, O mansion fair Languages: English Tune Title: [My soul exults with praise and love]
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Throughout My Fallen Soul I Feel

Author: Charles Wesley Hymnal: The Cyber Hymnal #3205 Meter: 8.8.8.8 Lyrics: Throughout my fallen soul I feel The strength of pride invincible; But Thou, th’almighty God of grace, Canst proud aspiring worms abase; All things are possible to Thee, Display Thy humbling power on me, And for His sake, to me impart My Savior’s lowliness of heart. Languages: English Tune Title: KIAWAH

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Chas. H. Gabriel

1856 - 1932 Person Name: Charles Hutchinson Gabriel Composer of "KIAWAH" in The Cyber Hymnal Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman

Anonymous

Author of "He Came In Weakness, Comes In Power" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Charles Wesley

1707 - 1788 Author (attributed to) of "O King Of Saints, With Pitying Eye" in The Cyber Hymnal Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
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