Search Results

Tune Identifier:"^only_waiting_till_the_shadows_34517$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Tunes

tune icon
Tune authorities
Page scans

[Only waiting, till the shadows]

Appears in 2 hymnals Composer and/or Arranger: Chas. H. Gabriel Incipit: 34517 65312 35432 Used With Text: Waiting

Texts

text icon
Text authorities
Page scans

Waiting

Author: F. L. Mace Appears in 108 hymnals First Line: Only waiting, till the shadows Refrain First Line: Only waiting, only waiting Used With Tune: [Only waiting, till the shadows]

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Page scan

Waiting

Author: F. L. Mace Hymnal: Triumphant Songs Nos. 3 and 4 Combined #357 (1894) First Line: Only waiting, till the shadows Refrain First Line: Only waiting, only waiting Languages: English Tune Title: [Only waiting, till the shadows]
Page scan

Only waiting till the shadows

Author: Anon. Hymnal: Good-Will Songs #168 (1890) Languages: English Tune Title: [Only waiting till the shadows]

People

person icon
Authors, composers, editors, etc.

Frances L. Mace

1836 - 1899 Person Name: F. L. Mace Author of "Waiting" in Triumphant Songs Nos. 3 and 4 Combined Mace, Frances P., née Laughton, was born in Orono, Maine, Jan. 15, 1836, and married in 1855 to Benjamin H. Mace, a Lawyer of Bangor. Her hymn "Only waiting till the shadows" (Heaven Anticipated), was written in 1854, and printed in a local newspaper, the Waterville Mail (Maine), Sep. 7, 1854, in 4 stanzas of 8 lines. It has attained a wide circulation in Great Britain and America. Full text in I. D. Sankey's Sacred Songs & Solos, 1878. See Woman in Sacred Song, 1885, p. 139, for counter-claim on behalf of Mrs. F. A. F. Wood-White. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================== Born: January 15, 1834, Orono, Maine. Died: July 20, 1899. Buried: Los Gatos Memorial Park, San Jose, California. In 1837, Frances’ family moved to Foxcroft (now Dover-Foxcroft), Maine, where she grew up. By age 10, she was studying Latin, and had verses published by age 12. The family later moved to Bangor, Maine, where she graduated from high school, and studied German and music with private teachers. In 1855, she married lawyer Benjamin F. Mace of Bangor; in 1885, they moved to San Jose, California. They had eight children, four of whom reached adulthood. Her works include: Legends, Lyrics and Sonnets, 1883 Under Pine and Palm, 1888 Sources: Willard, pp. 482-83 http://www.hymntime.com/tch/bio/m/a/c/mace_fl.htm

Anonymous

Person Name: Anon. Author of "Only waiting till the shadows" in Good-Will Songs In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Chas. H. Gabriel

1856 - 1932 Arranger of "[Only waiting, till the shadows]" in Triumphant Songs Nos. 3 and 4 Combined Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.