Search Results

Tune Identifier:"^salzburg_hintze$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Tunes

tune icon
Tune authorities
Page scansFlexScoreAudio

SALZBURG

Meter: 7.7.7.7 D Appears in 203 hymnals Composer and/or Arranger: Jakob Hintze, 1622-1702; J. S. Bach, 1685-1750 Tune Key: D Major Incipit: 51565 43554 32215 Used With Text: At the Lamb's High Feast We Sing

Texts

text icon
Text authorities
FlexScoreAudio

Songs of thankfulness and praise

Author: Christopher Wordsworth, 1807-1855; F. Bland Tucker, 1895-1984 Meter: 7.7.7.7 D Appears in 134 hymnals Topics: Epiphany Used With Tune: SALZBURG
TextAudio

Stanzas on Freedom

Author: James Russell Lowell Appears in 61 hymnals First Line: Men! whose boast it is that ye Lyrics: 1. Men! whose boast it is that ye come of fathers brave and free, If there breathe on earth a slave, are ye truly free and brave? If ye do not feel the chain, when it works a brother's pain, Are ye not base slaves indeed, slaves unworthy to be freed? 2, Women! who shall one day bear, sons to breathe New England air, If ye hear, without a blush, deeds to make the roused blood rush Like red lava through your veins, for your sisters now in chains — Answer! are ye fit to be mothers of the brave and free? 3. Is true Freedom but to break fetters for our own dear sake, And, with leathern hearts, forget that we owe mankind a debt? No! true Freedom is to share all the chains our brothers wear, And, with heart and hand, to be earnest to make others free! 4. They are slaves who fear to speak for the fallen and the weak; They are slaves who will not choose hatred, scoffing, and abuse, Rather than in silence shrink from the truth they needs must think; They are slaves who dare not be in the right with two or three. Topics: Human Rights Used With Tune: SALZBURG Text Sources: A Left-Labour Website
TextPage scansFlexScoreFlexPresent

At the Lamb's high feast we sing

Author: Robert Campbell, 1814-68 Meter: 7.7.7.7 D Appears in 188 hymnals Lyrics: 1 At the Lamb's high feast we sing Praise to our victorious King: Who hath washed us in the tide Flowing from his piercèd side; Praise we him whose love divine Gives the guests his blood for wine, Gives his body for the feast, Love the Victim, Love the Priest. 2 *Where the Paschal blood is poured, Death's dark angel sheathes his sword; Israel's hosts triumphant go Through the wave that drowns the foe. Christ, the Lamb whose blood was shed, Paschal victim, Paschal bread! With sincerity and love Eat we Manna from above. 3 Mighty Victim from on high, Powers of hell beneath thee lie; Death is broken in the fight, Thou hast brought us life and light. Now thy banner thou dost wave, Conquering Satan and the grave. See the prince of darkness quelled; Heaven's bright gates are open held. 4 Paschal triumph, Paschal joy, Only sin can this destroy; From sin's death do thou set free, Souls re-born, dear Lord, in thee. Hymns of glory, songs of praise, Father, unto thee we raise. Risen Lord, all praise to thee, Ever with the Spirit be. Topics: The Christian Year Eastertide Used With Tune: SALZBURG Text Sources: Latin Breviary hymn

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals

Why Do Gentile Nations Rage?

Hymnal: The Book of Psalms for Worship #2a (2010) First Line: Why do Gentile nations rage Scripture: Psalm 2 Languages: English Tune Title: SALZBURG (Hintze)
TextPage scan

Songs of Thankfulness and Praise

Author: Christopher Wordsworth Hymnal: Voices United #101 (1996) Meter: 7.7.7.7 D Lyrics: 1 Songs of thankfulness and praise, Jesus Christ, to you we raise, manifested by the star, to the sages from afar; branch of royal David's stem in your birth at Bethlehem; anthems be to you addressed God in flesh made manifest. 2 Manifest at Jordan's stream, Prophet, Priest and King supreme; and at Cana wedding-guest in your Godhead manifest; manifest in power divine, changing water into wine: anthems be to you addressed God in flesh made manifest. 3 Manifest in making whole palsied limbs and fainting soul; manifest in valiant fight, quelling all the devil's might; manifest in gracious will, ever bringing good from ill: anthems be to you addressed God in flesh made manifest. 4 Grant us grace to see you, Lord, mirrored in your holy Word; with your grace our lives endow, grace to imitate you now, that we like to you may be at your great epiphany; anthems be to you addressed God in flesh made manifest. Topics: The Christian Year Baptism of Jesus; Biblical Characters David; Biblical Places Bethlehem; Biblical Places Jordan; Christian Year Epiphany; Christian Year Baptism of the Lord; God Presence; Healing; Jesus Christ Baptism; Jesus Christ High Priest; Jesus Christ Incarnation; Jesus Christ Kingship, Conqueror; Jesus Christ Miracles; Jesus Christ Prophet; Jesus Christ Signs and Wonders; Jesus Christ Youth; Music and Singing; Praise; Salvation; Satan/Demonic Forces/Devil; Thankfulness; Baptism of Jesus Year A; Epiphany 2 Year A; Epiphany 3 Year A; Epiphany Last/Transfig. Year A; Advent 2 Year B; Advent 3 Year B; Epiphany 7 Year B; Epiphany 9 Year B; Epiphany Last/Transfig. Year B; Lent 2 Year B; Proper 4 Year B; Epiphany 2 Year C; Epiphany 8 Year C; Epiphany 9 Year C; Lent 2 Year C Languages: English Tune Title: SALZBURG (HINTZE)

Songs of thankfulness and praise

Author: Christopher Wordsworth, 1807-1885 Hymnal: The Book of Praise #147 (1972) Meter: 7.7.7.7 D Topics: God: His Being, Word and Works God the Son: His Nativity: Epiphany; Marriage and Home; Miracles Languages: English Tune Title: SALZBURG (HINTZE)

People

person icon
Authors, composers, editors, etc.

Anonymous

Author of "At the Lamb's High Feast We Sing" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Robert Campbell

1814 - 1868 Translator (from Latin) of "At the Lamb's High Feast We Sing" in The Cyber Hymnal Robert Campbell was an advocate residing in Edinburgh. He is not much known as an author, but some of his hymns have been adopted in several hymnals. He was Roman Catholic. His death occurred in 1868. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ==================== Campbell, Robert. Advocate, of Sherrington, Scotland, was born at Trochmig, Ayrshire, Dec. 19, 1814. When quite a boy he attended the University of Glasgow. Though showing from his earliest years a strong predilection for Theological studies, eventually he fixed upon the Scottish law as a profession. To this end he entered the Law Classes of the University of Edinburgh, and in due course entered upon the duties of an advocate. Originally a Presbyterian, at an early age he joined the Episcopal Church of Scotland. He became a zealous and devoted Churchman, directing his special attention to the education of the children of the poor. His classical attainments were good, and his general reading extensive. In 1848 he began a series of translations of Latin hymns. These he submitted to Dr. Neale, Dr. Mills of Ely, and other competent judges. In 1850, a selection therefrom, together with a few of his original hymns, and a limited number from other writers, was published as Hymns and Anthems for Use in the Holy Services of the Church within the United Diocese of St. Andrews, Dunkeld, and Dunblane. Edinburgh, R. Lendrum & Co. This collection, known as the St. Andrews Hymnal, received the special sanction of Bishop Torry, and was used throughout the Diocese for some years. Two years after its publication he joined the Roman Catholic Church. During the next sixteen years he devoted much time to the young and poor. He died at Edinburgh, Dec. 29, 1868. From his collection of 1850, four translations were given in Hymns Ancient & Modern, 1861, "At the Lamb's high feast we sing;" “Come, pure hearts, in sweetest measures;" "Ye Choirs of New Jerusalem;" " Ye servants of a martyr'd God" (altered). Attention was thereby directed to his translations. They are smooth, musical, and well sustained. A large number, not included in his 1850 collection, were left by him in manuscript. From these Mr. O.Shipley has printed several in his Annus Sanctus, 1884. (C. MSS.) --John Julian, Dictionary of Hymnology (1907)

Johann Sebastian Bach

1685 - 1750 Person Name: Johann Sebastian Bach, 1685-1750 Harmonizer of "SALZBURG (HINTZE)" in The Hymnary of the United Church of Canada Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

Hymnals

hymnal icon
Published hymn books and other collections

Small Church Music

Editors: Christopher Wordsworth Description: History The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. About the Recordings All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Mobile App We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff. LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.