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Tune Identifier:"^simply_trusting_every_day_sweney$"

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[Simply trusting ev'ry day]

Appears in 20 hymnals Composer and/or Arranger: Jno. R. Sweney Tune Key: C Major Incipit: 34556 11217 2165 Used With Text: Trusting Jesus, That is All

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Simply trusting every day

Author: Edgar Page Appears in 287 hymnals First Line: Simply trusting ev'ry day Refrain First Line: Trusting Him while life shall last Used With Tune: [Simply trusting ev'ry day]
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Schau auf Jesum

Author: G. Weiler Appears in 3 hymnals First Line: Schau' auf Jesum allezeit Refrain First Line: Schau auf ihn in Nacht und Licht Used With Tune: [Schau' auf Jesum allezeit]
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Glaube nur

Appears in 18 hymnals First Line: Glaube einfach jeden Tag Refrain First Line: Glauben will ich, Herr, mein Gott Used With Tune: [Glaube einfach jeden Tag]

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Simply trusting every day

Author: Edgar Page Hymnal: Hymns of Consecration and Faith #95 (1902) First Line: Simply trusting ev'ry day Refrain First Line: Trusting Him while life shall last Languages: English Tune Title: [Simply trusting ev'ry day]
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Trusting Jesus, that is all

Author: Edgar Page Hymnal: Celestial Showers No. 1, a collection of gospel songs used in Rev. I. Toliver's Meetings #58 (1895) First Line: Simply trusting every day Refrain First Line: Trusting as the moments fly Languages: English Tune Title: [Simply trusting every day]
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Trusting Jesus, that is all

Author: Edgar Page Stites Hymnal: The Ark of Praise #59 (1882) First Line: Simply trusting every day Refrain First Line: Trusting as the moments fly Tune Title: [Simply trusting every day]

People

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Authors, composers, editors, etc.

Ernst Gebhardt

1832 - 1899 Person Name: E. Gebhardt, geb. 1832 Author of "Glauben will ich, Herr, mein Gott" in Gesangbuch der Bischöflichen Methodisten-Kirche

John R. Sweney

1837 - 1899 Person Name: Sweney Composer of "[Simply trusting ev'ry day]" in Hymns of Consecration and Faith John R. Sweney (1837-1899) was born in West Chester, Pennsylvania, and exhibited musical abilities at an early age. At nineteen he was studying with a German music teacher, leading a choir and glee club, and performing at children’s entertainments. By twenty-two he was teaching at a school in Dover, Delaware. Soon thereafter, he was put in charge of the band of the Third Delaware Regiment of the Union Army for the duration of the Civil War. After the war, he became Professor of Music at the Pennsylvania Military Academy, and director of Sweney’s Cornet Band. He eventually earned Bachelor and Doctor of Music degrees at the Academy. Sweney began composing church music in 1871 and became well-known as a leader of large congregations. His appreciators stated “Sweney knows how to make a congregation sing” and “He had great power in arousing multitudes.” He also became director of music for a large Sunday school at the Bethany Presbyterian Church in Philadelphia of which John Wanamaker was superintendent (Wanamaker was the founder of the first major department store in Philadelphia). In addition to his prolific output of hymn melodies and other compositions, Sweney edited or co-edited about sixty song collections, many in collaboration with William J. Kirkpatrick. Sweney died on April 10, 1899, and his memorial was widely attended and included a eulogy by Wanamaker. Joe Hickerson from "Joe's Jottings #9" used by permission

Edgar Page

1836 - 1921 Author of "Simply trusting every day" in Hymns of Consecration and Faith Real name Edgar Page Stites. Used Edgar Page ====================== Page, Edgar, is set forth in I. D. Sankey's Sacred Songs & Solos, 1878-81, as the author of (1) "I've reached the land of corn and wine" (Peace with God); (2) ”Simply trusting every day" (Trust in Jesus). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ===================== Page, Edgar, p. 1585, i. In his Sacred Songs, &c, Mr. Sankey attributes the hymns "I've reached the land of corn and wine," and "Simply trusting every day," to "Edgar Page," as stated on p. 1585, i.; but in his My Life and Sacred Songs, 1906, he gives both to "E. P. Stites," together with some details concerning them, but without any reference to the change in his ascription of authorship. --John Julian, Dictionary of Hymnology, New Supplement (1907)
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