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ST. COLUMBA
Meter: 8.7.8.7 Appears in 210 hymnals Tune Sources: Irish, c. 18th cent.; Service Book and Hymnal, 1958 (Setting) Tune Key: E Flat Major Incipit: 12345 45321 12345 Used With Text: The King of Love My Shepherd Is
ST. COLUMBA
Lord, as to Thy dear cross we flee
Author: Rev. John Hampden Gurney (1802-1862) Meter: 8.6.8.6 Appears in 246 hymnals Lyrics: 1 Lord, as to Thy dear cross we flee,
And plead to be forgiven,
So let Thy life our pattern be,
And form our souls for heaven.
2 Help us through good report and ill
Our daily cross to bear,
Like Thee, to do our Father's will,
Our brethren's griefs to share.
3 Let grace our selfishness expel,
Our earthliness refine,
And kindness in our bosoms dwell,
As free and true as Thine.
4 If joy shall at Thy bidding fly,
And grief's dark day come on,
We, in our turn, would meekly cry,
"Father, Thy will be done."
5 Kept peaceful in the midst of strife,
Forgiving and forgiven,
O may we lead the pilgrim's life,
And follow Thee to heaven.
Amen. Topics: Jesus Christ the Lord His Life and Ministry; Ash Wednesday; Brotherhood; Christ Example of; Christ Ministry; Christ Life and Ministry; Conflict With Sin; Discipleship and Service; God Grace, His Restoring; Ministry of Christ Used With Tune: ST. COLUMBA (IRISH)
Lord, as to Thy dear cross we flee
Spirit of God, our hearts inspire
Author: Charles Wesley, 1707-1788 Meter: 8.6.8.6 Appears in 241 hymnals Lyrics: 1 Spirit of God, our hearts inspire,
let us Your influence prove,
Source of the old prophetic fire,
Fountain of light and love.
2 Come, Holy Spirit, Lord, by whom
the prophets wrote and spoke:
the Key to all God's truth, now come,
unseal the sacred Book.
3 O spread your wings, celestial Dove,
above our nature's night,
on our disordered spirits move,
and let there now be light.
4 God, through Himself, we then shall know,
if You within us shine,
and sound, with all Your saints below,
the depths of love divine. Topics: The Temple Bible Used With Tune: ST COLUMBA (ERIN) Text Sources: Adapt.: Compliers of Praise!, 2000
Spirit of God, our hearts inspire
The King of love my shepherd is
Author: Henry Williams Baker, 1821 - 77 Appears in 691 hymnals Lyrics: 1 The King of love my shepherd is,
Whose goodness faileth never;
I nothing lack if I am his,
And he is mine forever.
2 Where streams of living water flow
My ransomed soul he leadeth,
And where the verdant pastures grow
With food celestial feedeth.
3 Perverse and foolish oft I strayed,
But yet in love he sought me,
And on his shoulder gently laid,
And home, rejoicing, brought me. A-men.
4 In death’s dark vale I fear no ill
With thee, dear Lord, beside me,
Thy rod and staff my comfort still,
Thy Cross before to guide me.
5 Thou spread'st a table in my sight;
Thy unction grace bestoweth;
And O what transport of delight
From thy pure chalice floweth!
6 And so through all the length of days
Thy goodness faileth never;
Good Shepherd, may I sing thy praise
Within thy house for ever.
Amen. Topics: Holy Baptism; Post-Communion; Marriage; The Life In Christ Pilgrimage Scripture: Psalm 23 Used With Tune: ST. COLUMBA
The King of love my shepherd is
As now the sun's declining rays
Author: Charles Coffin, 1676-1749; John Chandler, 1806-1876 Hymnal: CPWI Hymnal #9 (2010) Meter: 8.6.8.6 Lyrics: 1 As now the sun's declining rays
at eventide descend,
so life's brief day is sinking down
to its appointed end.
2 Lord, on the cross thine arms were stretched
to draw thy people nigh:
O grant us then that cross to love,
and in those arms to die.
3 All glory to the Father be,
all glory to the Son,
all glory, Holy Ghost, to thee,
while endless ages run. Topics: Hymns for the Church Year Evening Languages: English Tune Title: ST COLUMBA (IRISH)
As now the sun's declining rays
Lord, as to Thy dear cross we flee
Author: Rev. John Hampden Gurney (1802-1862) Hymnal: The Hymnal #145 (1950) Meter: 8.6.8.6 Lyrics: 1 Lord, as to Thy dear cross we flee,
And plead to be forgiven,
So let Thy life our pattern be,
And form our souls for heaven.
2 Help us through good report and ill
Our daily cross to bear,
Like Thee, to do our Father's will,
Our brethren's griefs to share.
3 Let grace our selfishness expel,
Our earthliness refine,
And kindness in our bosoms dwell,
As free and true as Thine.
4 If joy shall at Thy bidding fly,
And grief's dark day come on,
We, in our turn, would meekly cry,
"Father, Thy will be done."
5 Kept peaceful in the midst of strife,
Forgiving and forgiven,
O may we lead the pilgrim's life,
And follow Thee to heaven.
Amen. Topics: Jesus Christ the Lord His Life and Ministry; Ash Wednesday; Brotherhood; Christ Example of; Christ Ministry; Christ Life and Ministry; Conflict With Sin; Discipleship and Service; God Grace, His Restoring; Ministry of Christ Tune Title: ST. COLUMBA (IRISH)
Lord, as to Thy dear cross we flee
Lord, As to Thy Dear Cross We Flee
Author: John Hampden Gurney, 1802-1862 Hymnal: Christian Worship #326 (1941) Topics: Prayer and Intercession Languages: English Tune Title: ST. COLUMBA (Irish)
Lord, As to Thy Dear Cross We Flee
Charles Coffin
1676 - 1749 Person Name: Charles Coffin, 1676-1749 Author of "As now the sun's declining rays" in CPWI Hymnal Coffin, Charles, born at Buzaney (Ardennes) in 1676, died 1749, was principal of the college at Beauvais, 1712 (succeeding the historian Rollin), and rector of the University of Paris, 1718. He published in 1727 some, of his Latin poems, for which he was already noted, and in 1736 the bulk of his hymns appeared in the Paris Breviary of that year. In the same year he published them as Hymni Sacri Auctore Carolo Coffin, and in 1755 a complete ed. of his Works was issued in 2 vols. To his Hymni Sacri is prefixed an interesting preface. The whole plan of his hymns, and of the Paris Breviary which he so largely influenced, comes out in his words.
"In his porro scribendis Hymnis non tam poetico indulgendunv spiritui, quam nitoro et pietate consulendum esse existimavi. Pleraque igitur, argumentis convenientia e purissiinis Scripturae Sacrae fontibus deprompsi quac idoneis Ecclesiae cantui numeris alligarem."
His hymns are described by a French critic as having less brilliancy than those of Santüil (q.v.), but more simplicity and unction. They number 100 in the edition of 1736. Translated into English by J. Chandler, I. Williams and others, are noted under their respective Latin first lines. [William T. Brooke]
-- John Julian, Dictionary of Hymnology (1907)
Charles Coffin
John Chandler
1806 - 1876 Person Name: John Chandler, 1806-1876 Translator of "As now the sun's declining rays" in CPWI Hymnal John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876.
--The Hymnal 1940 Companion
===============
Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says,
"My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix.
This collection is:—
(1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841.
From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution.
--John Julian, Dictionary of Hymnology (1907)
John Chandler
Charles Wesley
1707 - 1788 Person Name: Charles Wesley (1707-1788) Author of "Come, Holy Ghost, our hearts inspire" in Church Hymnary (4th ed.) Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
Small Church Music
Editors: Sir H. W. Baker Description:
History
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions.
About the Recordings All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs.
Mobile App
We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff.
LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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