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Tune Identifier:"^stand_up_for_jesus_christian_stand_hull$"

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STAND UP FOR JESUS

Meter: 8.8.8.8 with refrain Appears in 45 hymnals Composer and/or Arranger: Asa Hull Tune Key: A Major Incipit: 33333 51322 34712 Used With Text: Stand up for Jesus, nobly stand!

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O Sing a New Song to the Lord

Appears in 21 hymnals Refrain First Line: Tell all the world His wondrous ways Lyrics: 1 O sing a new song to the Lord, Sing all the earth and bless His Name; From day to day His praise record, The Lord’s redeeming grace proclaim. Refrain: Tell all the world His wondrous ways, Tell heathen nations far and near; Great is the Lord, and great His praise, And Him alone let nations fear. 2 Let ev’ry tongue and ev’ry tribe Give to the Lord due praise and sing; All glory unto Him ascribe, Come, throng His courts, and offerings bring. [Refrain] 3 O fear and bow, adorned with grace, And tell each land that God is King; The earth He ‘stablished in its place, And justice to the world will bring. [Refrain] 4 So let them shout before our God, For lo, He comes, He comes with might, To wield the scepter and the rod, To judge the world with truth and right. [Refrain] Topics: Missions; Praise and Worship; Psalms Scripture: Psalm 96 Used With Tune: [O sing a new song to the Lord]
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The Lord Is King, Ye Saints, Rejoice

Author: Charles Wesley Meter: 8.8.8.8 Appears in 1 hymnal First Line: The Lord is king, ye saints rejoice Lyrics: 1 The Lord is king, ye saints rejoice, And ceaseless hallelujahs sing! The angry floods lift up their voice In vain, for lo! the Lord is king. All ocean’s waves may swell and roar, They cannot break their sandy chain: Supreme in majesty and power Jehovah shall for ever reign. 2 Though war’s devouring surges rise, Beyond their bounds they cannot go, Jehovah sits above the skies, And rules th’embattled hosts below. The counsels vain of earthly kings He blasts and baffles at His will; All their designs to naught He brings, And bids the madding world be still. 3 ’Tis God who bids contention cease, And makes the flames of war expire, Destroys the cruel foes of peace, And burns the weapons of His ire. Wherefore to Him our souls we raise, Our souls are in His mighty hand; We dwell within His secret place, We on the rock of ages stand. 4 Thou, Lord, shalt take Thy people’s part, Our lives beneath Thy shadow hide: Head over all to us Thou art, To us who in Thy name confide. Jesus, we trust in Thee alone: The strength that in Thy name we have, The love that still preserves Thine own, Thro’ all eternity shall save. Used With Tune: BUCARESTI Text Sources: Hymns for Times of Trouble and Persecution by John and Charles Wesley (London: Strahan, 1744)
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Tell All the World

Appears in 4 hymnals First Line: Let every tongue and every tribe Refrain First Line: Tell all the world His wondrous ways Scripture: Psalm 96 Used With Tune: [Let every tongue and every tribe]

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Stand up for Jesus, nobly stand!

Author: Asa Hull Hymnal: Methodist Hymn and Tune Book #277 (1917) First Line: Stand up for Jesus, Christian, stand! Lyrics: 1 Stand up for Jesus, Christian, stand! Firm as a rock on ocean's strand! Beat back the waves of sin that roll Like raging floods around thy soul! Refrain: Stand up for Jesus, nobly stand! Firm as a rock on ocean's strand! Stand up, His righteous cause defend; Stand up for Jesus, your best Friend. Amen. 2 Stand up for Jesus, Christian, stand! Sound forth His name o'er sea and land! Spread ye His glorious Word abroad, Till all the world shall own Him Lord! [Refrain] 3 Stand up for Jesus, Christian, stand! Lift high the cross with steadfast hand! Till heathen lands with wondering eye Its rising glory shall descry. [Refrain] 4 Stand up for Jesus, Christian, stand! Soon with the blest immortal band We'll dwell for aye, life's journey o'er, In realms of light on heaven's bright shore. [Refrain] Topics: Courage, Christian; The Church and the Kingdom of God Missions; Loyalty To Christ Languages: English Tune Title: STAND UP FOR JESUS
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Stand Up for Jesus, Christian

Author: Richard Torrey, Jr. Hymnal: The Cyber Hymnal #9084 First Line: Stand up for Jesus, Christian, stand! Refrain First Line: Stand up for Jesus, nobly stand! Lyrics: 1 Stand up for Jesus, Christian, stand! Firm as a rock on ocean’s strand! Beat back the waves of sin that roll, Like raging floods, around thy soul! Refrain: Stand up for Jesus, nobly stand! Firm as a rock, on ocean’s strand, Stand up, His righteous cause defend; Stand up for Jesus, your best friend. 2 Stand up for Jesus, Christian, stand! Sound forth His name o’er sea and land! Spread ye His glorious word abroad, Till all the world shall own Him Lord! [Refrain] 3 Stand up for Jesus, Christian, stand! Lift high the cross with steadfast hand! Till heathen lands with wondering eye, Its rising glory shall descry. [Refrain] 4 Stand up for Jesus, Christian, stand! Soon with the blest, immortal band, We’ll dwell for aye, life’s journey o’er, In realms of light on Heav’n’s bright shore. [Refrain] Languages: English Tune Title: [Stand up for Jesus, Christian, stand]
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Stand Up For Jesus, Christian, Stand!

Author: Asa Hull Hymnal: Hymns of Praise Number Two #178 (1925) First Line: Stand up for Jesus, Christian, stand Refrain First Line: Stand up for Jesus, nobly stand Topics: Conflict Languages: English Tune Title: [Stand up for Jesus, Christian, stand]

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Asa Hull

1828 - 1907 Author of "Stand up for Jesus, nobly stand!" in Methodist Hymn and Tune Book Asa Hull USA 1828-1907. Born in Keene, NY, he became a music publisher in New York City. He married Emma F Atherton, and they had a daughter, Harriett. He wrote many tunes and authored temperance rallying songs. He published 33 works, of which 21 were songbooks, between 1863-1895. He died in Philadelphia, PA. John Perry

Charles Wesley

1707 - 1788 Author of "Live Without Sin! It Cannot Be!" in The Cyber Hymnal Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

Anonymous

Author of "Dicsérd Az Urat, Én Lelkem" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
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