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Tune Identifier:"^the_lord_is_king_alonso$"

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Tune authorities

[The Lord is king]

Appears in 2 hymnals Composer and/or Arranger: Gregory J. Polan, OSB; Tony E. Alonso; Joseph Gelineau, SJ Tune Key: B Flat Major Incipit: 55456 54 Used With Text: Psalm 93

Texts

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Text authorities

Psalm 93

Appears in 3 hymnals First Line: The Lord is king, with majesty enrobed (Dios reina, vestido de majestad) Refrain First Line: The Lord is king (El Señor reina) Topics: Liturgy of the Hours Sunday Morning Prayer: Week III Scripture: Psalm 93 Used With Tune: [The Lord is king] Text Sources: Psalm: The Revised Grail Psalms; Antiphon: Lectionary for Mass; Antifona: Leccionario, Edición Hispanoamérica

El Señor reina, vestido de majestad (The Lord is king; he is robed in majesty)

Appears in 2 hymnals Topics: Our Lord Jesus Christ, King of the Universe B; Jesucristo, Rey del Universo B Scripture: Psalm 93 Used With Tune: [El Señor reina, vestido de majestad]

Instances

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Published text-tune combinations (hymns) from specific hymnals

Psalm 93

Hymnal: Oramos Cantando = We Pray In Song #56c (2013) First Line: The Lord is king, with majesty enrobed (Dios reina, vestido de majestad) Refrain First Line: The Lord is king (El Señor reina) Topics: Liturgy of the Hours Sunday Morning Prayer: Week III Scripture: Psalm 93 Languages: Spanish Tune Title: [The Lord is king]
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El Señor reina, vestido de majestad (The Lord is king; he is robed in majesty)

Hymnal: Oramos Cantando = We Pray In Song #1005 (2013) Topics: Our Lord Jesus Christ, King of the Universe B; Jesucristo, Rey del Universo B Scripture: Psalm 93 Languages: English; Spanish Tune Title: [El Señor reina, vestido de majestad]

People

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Authors, composers, editors, etc.

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ Composer (Gelineau Tone) of "[The Lord is king]" in Oramos Cantando = We Pray In Song Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

Tony Alonso

b. 1980 Person Name: Tony E. Alonso Composer (Antiphon) of "[The Lord is king]" in Oramos Cantando = We Pray In Song Tony Alonso has published several collections of liturgical music and his music appears in many hymnals throughout the world. He has an Bachelor of Music degree from Northwestern University and a M.A. degree in theology from Loyola Marymount University.

Gregory J. Polan

b. 1950 Person Name: Gregory J. Polan, OSB Composer (Conception Abbey Tone) of "[The Lord is king]" in Oramos Cantando = We Pray In Song
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