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[Thou didst leave Thy throne]
Appears in 49 hymnals Incipit: 13555 51332 17 Used With Text: 救主離棄寶座榮冕，
(Thou didst leave Thy throne)
[Thou didst leave Thy throne]
Room for Thee
Author: Anon. Appears in 422 hymnals First Line: Thou didst leave Thy throne and Thy kingly crown Refrain First Line: O, come to my heart, Lord Jesus Scripture: Luke 2:7 Used With Tune: [Thou didst leave Thy throne and Thy kingly crown]
Room for Thee
Tú Dejaste Tu Trono Y Corona Por Mí
Author: Emily Elizabeth Steele Elliott; Desconcido Appears in 38 hymnals Refrain First Line: Ven a mi corazón, ¡oh Cristo! Lyrics: 1 Tú dejaste tu trono y corona por mí,
Al venir a Belén a nacer;
Mas a ti no fue dado el entrar al mesón.
Y en establo te hicieron nacer.
Coro:
Ven a mi corazón, ¡oh Cristo!
Pues en él hay lugar para Ti;
Ven a mí corazón, ¡oh Cristo! ven,
Pues en él hay lugar para Ti.
2 Alabanzas celestes los ángeles dan,
En que rinden al Verbo loor;
Mas humilde veniste a la tierra, Señor,
A dar vida al más vil pecador. [Coro]
3 Siempre pueden las zorras sus cuevas tener,
Y las aves sus nidos también;
Mas el Hijo del hombre no tuvo un lugar
En el cual reclinará su sien. [Coro]
4 Alabanzas sublimes los cielos darán,
Cuando vengas glorioso de allí,
Y tu voz entre nubes dirá: Ven a Mí,
Que hay lugar junto a Mí para ti. [Coro] Used With Tune: [Tú dejaste tu trono y corona por mí]
Tú Dejaste Tu Trono Y Corona Por Mí
إلى كلماتي اصغ يا سيدي
Appears in 7 hymnals Lyrics: 1 إلى كلماتي اصغَ يا سيدي
تأملْ صُراخي لديكْ
ويا مَلِكي وإلهي استمعْ
فإني أُصلي إليكْ
2 وقفتُ أمامك عند الضحى
أُصَلّي لأني ذليلْ
إلى عدلك المستقيمِ اهدني
وسهِّل إليك السبيلْ
3 وإني بما نلتُ مِن رحمةٍ
أجوزُ إلى منزلِكْ
أجوزُ بخوفِك مستعصماً
وأسجُدُ في هيكلِكْ
4 ليفرَحْ مُحِبوك وليهتفوا
وليبتهجوا للأبدْ
فإنك واقٍ بتُرسِ الرضا
ضعيفاً عليكَ اعتَمَدْ Used With Tune: ROOM FOR THEE
إلى كلماتي اصغ يا سيدي
離棄寶座，撇下王冕 (Thou didst leave Thy throne)
Author: Emily E. S. Elliott Hymnal: Sheng tu shi ge = Hymnary (聖徒詩歌) #51 (1984) First Line: 離棄寶座，撇下王冕 Languages: Chinese Tune Title: [Thou didst leave Thy throne]
離棄寶座，撇下王冕 (Thou didst leave Thy throne)
Thou didst leave Thy throne
Author: Emily E. S. Elliott Hymnal: The Mennonite Hymnal #563 (1969) First Line: Thou didst leave Thy throne, and Thy kingly crown Refrain First Line: O come to my heart, Lord Jesus! Topics: Gospel Songs Tune Title: ROOM FOR THEE
Thou didst leave Thy throne
Room for Thee
Hymnal: Christmas Favorites #50 (2000) First Line: Thou didst leave Thy throne, and Thy kingly crown Refrain First Line: Oh, come to my heart, Lord Jesus! Languages: English Tune Title: [Thou didst leave Thy throne, and Thy kingly crown]
Room for Thee
E. S. Elliott
1836 - 1897 Person Name: Emily E. S. Elliott Author of "Thou didst leave Thy throne" in The Mennonite Hymnal Elliott, Emily Elizabeth Steele, third daughter of the late Rev. E. B. Elliott, of Brighton, author of the Horae Apocalypticae was born at Brighton, and now [1887] lives in London. She has contributed hymns, some of which have obtained wide acceptance, to the choir manuals, and Additional Hymns, 1866 (Nos. 8, 34) for use in St. Mark's Church, Brighton; to the Church Missionary Juvenile Instructor, which she edited for six years. Her Chimes of Consecration, a volume of 70 hymns and poems, was published in 1873, and her Chimes for Daily Service in 1880. The latter contains 71 hymns in two parts. The second part of 48 hymns is also published separately as Under the Pillow, for use as a cheap large type hymn-book (with corresponding tune-book) for hospitals and infirmaries and the sick generally. Her hymn, “Let us keep the feast" (Holy Communion), was first published in The Feast of Sacrifice and The Feast of 'Remembrance, 1865, in 5 stanzas of 5 lines. [Rev. James Mearns, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
=================
Elliott, Emily E. 8., p. 328, ii. The following additional hymns by Miss Elliott have recently come into common use:—
1. Brothers, sisters, pray for us. [Missionaries' Farewell.] Appeared in the C. M. Gleaner, Sept. 1896, p. 14?, and entitled "The Missionaries' Departing Petition." In the Church Miss. Hymn Book, 1899.
2. Rabboni, Master, we have heard. [Consecration of Self to Duty.] In theC. M. Gleaner, Dec. 1895, p. 195. It was sung for the first time at the Gleaners' Union Anniversary, 1895. In the Church Miss. Hymn Book, 1899.
3. Full consecration! heart and spirit yielded. [Full Consecration.] Given in Hymns of Consecration and Faith, 1902.
4. They come and go, the seasons fair, [Second Advent.] In the C. M. Gleaner, Nov. 1891, p. 172, as "What will be when the King comes?" It was sung for the first time at the Gleaners' Union Anniversary, Oct. 30, 1891. In the Church Miss. Hymn Book, 1899.
Miss Elliott was born at Brighton, July 22, 1836, and died at Mildmay, London, Aug. 3, 1897.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
E. S. Elliott
Anonymous
Person Name: Anon. Author of "Room for Thee" in Gospel Hymns No. 2 In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Ira David Sankey
1840 - 1908 Composer of "ROOM FOR THEE" in The Mennonite Hymnal Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known.
Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages.
--John Julian, Dictionary of Hymnology (1907)
Pseudonymns:
Harry S. Lower
Rian A. Dykes
====================
Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:—
1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:—
"I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full."
The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus.
2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:—
"During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888.
From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns.
From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:—
In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns.
In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Ira David Sankey
