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[Jesus, meek and gentle]
Appears in 30 hymnals Composer and/or Arranger: J. A. P. Schulz Incipit: 11776 55171 23344 Used With Text: Jesus, meek and gentle
[Jesus, meek and gentle]
In the Hour of Trial
Author: James Montgomery Meter: 6.5.6.5 D Appears in 516 hymnals Lyrics: 1 In the hour of trial,
Jesus, plead for me;
lest by base denial
I depart from thee;
when thou see'st me waver,
with a look recall,
nor for fear or favour
suffer me to fall.
2 With forbidden pleasures
should this vain world charm,
or its tempting treasures
spread to work me harm,
bring to my remembrance
sad Gethsemane,
or in darker semblance,
cross-crowned Calvary.
3 If with sore affliction
thou in love chastise,
pour thy benediction
on the sacrifice;
then, upon the altar,
freely offered up,
though the flesh may falter,
faith shall drink the cup.
4 When in dust and ashes
to the grave I sink,
while heav'n's glory flashes
o'er the shelving brink,
on thy truth relying
through that mortal strife,
Lord, receive me, dying,
to eternal life.
Scripture: Matthew 26:69-75 Used With Tune: WARUM SIND DER THRÄNEN
In the Hour of Trial
Think, O Lord, in Mercy
Author: Edmund S. Palmer Meter: 11.11.11.11 Appears in 4 hymnals First Line: Think, O Lord, in mercy on the souls of those Lyrics: 1. Think, O Lord, in mercy on the souls of those
Who, in faith gone from us, now in death repose.
Here ’mid stress and conflict toils can never cease;
There, the warfare ended, bid them rest in peace.
2. Often were they wounded in the deadly strife;
Heal them, Good Physician, with the balm of life.
Every taint of evil, frailty and decay,
Good and gracious Savior, cleanse and purge away.
3. Rest eternal grant them, after weary fight;
Shed on them the radiance of Thy heav’nly light.
Lead them onward, upward, to the holy place,
Where Thy saints, made perfect, gaze upon Thy face. Used With Tune: WARUM SIND DIE THRÄNEN
Think, O Lord, in Mercy
Das ist unbeschreiblich, wie uns Jesus liebt
Author: Nic. Lud. v. Zinzendort, 1700-1760 Appears in 13 hymnals Used With Tune: [Das ist unbeschreiblich, wie uns Jesus liebt]
Das ist unbeschreiblich, wie uns Jesus liebt
Warum sind der Thränen unter'm Mond so viel
Author: C. M. Overbeck Hymnal: Kleiner Liederschatz #82 (1901) First Line: Warum sind der Thränen Languages: German Tune Title: [Warum sind der Thränen]
Warum sind der Thränen unter'm Mond so viel
Trost in Thränen
Author: C. A. Overbeck Hymnal: 349 Lieder #273 (1876) First Line: Warum sind der Thränen Languages: German Tune Title: [Warum sind der Thränen]
Trost in Thränen
In the Hour of Trial
Author: James Montgomery Hymnal: Rejoice in the Lord #247 (1985) Meter: 6.5.6.5 D Lyrics: 1 In the hour of trial,
Jesus, plead for me;
lest by base denial
I depart from thee;
when thou see'st me waver,
with a look recall,
nor for fear or favour
suffer me to fall.
2 With forbidden pleasures
should this vain world charm,
or its tempting treasures
spread to work me harm,
bring to my remembrance
sad Gethsemane,
or in darker semblance,
cross-crowned Calvary.
3 If with sore affliction
thou in love chastise,
pour thy benediction
on the sacrifice;
then, upon the altar,
freely offered up,
though the flesh may falter,
faith shall drink the cup.
4 When in dust and ashes
to the grave I sink,
while heav'n's glory flashes
o'er the shelving brink,
on thy truth relying
through that mortal strife,
Lord, receive me, dying,
to eternal life.
Scripture: Matthew 26:69-75 Languages: English Tune Title: WARUM SIND DER THRÄNEN
In the Hour of Trial
Godfrey Thring
1823 - 1903 Person Name: G. Thring Author of "Saviour, Blessed Saviour" in Gospel Melodies Godfrey Thring (b. Alford, Somersetshire, England, 1823; d. Shamley Green, Guilford, Surrey, England, 1903) was born in the parsonage of Alford, where his father was rector. Educated at Balliol College, Oxford, England, he was ordained a priest in the Church of England in 1847. After serving in several other parishes, Thring returned to Alford and Hornblotten in 1858 to succeed his father as rector, a position he retained until his own retirement in 1893. He was also associated with Wells Cathedral (1867-1893). After 1861 Thring wrote many hymns and published several hymnals, including Hymns Congregational (1866), Hymns and Sacred Lyrics (1874), and the respected A Church of England Hymn Book Adapted to the Daily Services of the Church Throughout the Year (1880), which was enlarged as The Church of England Hymn Book (1882).
Bert Polman
================
Thring, Godfrey, B.A., son of the Rev. J. G. D. Thring, of Alford, Somerset, was born at Alford, March 25, 1823, and educated at Shrewsbury School, and at Balliol College, Oxford, B.A. in 1845. On taking Holy Orders he was curate of Stratfield-Turgis, 1846-50; of Strathfieldsaye, 1850-53; and of other parishes to 1858, when he became rector of Alford-with-Hornblotton, Somerset. R.D. 1867-76. In 1876 he was preferred as prebend of East Harptree in Wells cathedral. Prebendary Thring's poetical works are:— Hymns Congregational and Others, 1866; Hymns and Verses, 1866; and Hymns and Sacred Lyrics, 1874. In 1880 he published A Church of England Hymnbook Adapted to the Daily Services of the Church throughout the Year; and in 1882, a revised and much improved edition of the same as The Church of England Hymn Book, &c.
A great many of Prebendary Thring's hymns are annotated under their respective first lines; the rest in common use include:—
1. Beneath the Church's hallowed shade. Consecration of a Burial Ground. Written in 1870. This is one of four hymns set to music by Dr. Dykes, and first published by Novello & Co., 1873. It was also included (but without music) in the author's Hymns & Sacred Lyrics, 1874, p. 170, and in his Collection, 1882.
2. Blessed Saviour, Thou hast taught us. Quinquagesima. Written in 1866, and first published in the author's Hymns Congregational and Others, 1866. It was republished in his Hymns & Sacred Lyrics, 1874; and his Collection, 1882. It is based upon the Epistle for Quinquagesima.
3. Blot out our sins of old. Lent. Written in 1862, and first published in Hymns Congregational and Others
Godfrey Thring
Anonymous
Person Name: Unknown Translator of "Yesu, Bin Mariamu" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
J. A. P. Schulz
1747 - 1800 Composer of "WARUM SIND DER THRÄNEN" in Rejoice in the Lord Johann Abraham Peter Schulz Germany 1747-1800. Born at Luneburg, Germany, son of a baker, he attended St Michaelis school in Luneburg and studied organ, then the Johanneum from 1759-1764. In 1765 he was a student of composer, Johann Kimberger, and then taught in Berlin himself. In 1768 Kimberger recommended Schulz for the position of music teacher and accompanist to the Polish Princess Sapieha Woiwodin von Smolensk. Schulz moved to Berlin and traveled with her for three years performing throughout Europe, where he came in contact with many new musical ideas. He married Catharina Maria Gercken, and they had a daughter, Celle. He served as the conductor of the French Theatre in Berlin from 1776-1780. From 1786-1787 he was the Kapellmeister of Prince Henry in Rheinsberg. He began writing operas in 1785 and became musical director of the Berlin French theatre. Schulz went on to serve as Court Kapellmeister in Copenhagen from 1787-1795 before returning to Berlin. In Copenhagen the music library burned down, and he had a breakdown in health from trying to save it. His health suffered further from the effects of a shipwreck he experienced in 1796. Schulz wrote seven operas, stage music, oratorios, and cantatas, as well as piano pieces, folk songs, and church music. He also wrote articles on music theory for Johann Georg Sulzer’s ‘Allgemeine Theorie der schonen Kunste’ in four volumes. He died at Schwedt an der Oder, Germany.
John Perry
J. A. P. Schulz
Small Church Music
Editors: Friedrich Filitz Description:
History
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions.
About the Recordings All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs.
Mobile App
We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff.
LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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