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All People That on Earth Do Dwell
Author: William Kethe, d. c.1593; Thomas Ken, 1637-1711 Meter: 8.8.8.8 Appears in 721 hymnals Scripture: Psalm 150 Lyrics: 1 All people that on earth do dwell,
Sing to the Lord with cheerful voice;
Him serve with mirth, his praise forth tell,
Come ye before him, and rejoice.
2 Know that the Lord is God indeed;
Without our aid he did us make;
We are his folk, he does us feed,
And for his sheep he does us take.
3 O enter then his gates with praise;
Approach with joy his courts unto;
Praise, laud, and bless his Name always,
For it is seemly so to do.
4 For why? the Lord our God is good:
His mercy is for ever sure;
His truth at all times firmly stood,
And shall from age to age endure.
5 To Father, Son, and Holy Ghost,
The God whom heaven and earth adore,
From us and from the angel host
Be praise and glory evermore.
* Praise God, from whom all blessings flow;
Praise Him, all creatures here below;
Praise Him above, you heav'nly host:
Praise Father, Son and Holy Ghost. Topics: Shepherd Used With Tune: OLD HUNDREDTH
All People That on Earth Do Dwell
All Creatures of Our God and King
Author: Francis of Assisi (1182-1226); William Henry Draper (1855-1933) Meter: 8.8.8.8 with alleluias Appears in 265 hymnals Scripture: Psalm 150 Lyrics: 1 All creatures of our God and King,
lift up your voices, let us sing:
alleluia, alleluia!
Bright burning sun and golden beams,
pale silver moon that gently gleams,
alleluia, alleluia, alleluia,
alleluia, alleluia!
2 Great rushing winds and breezes soft,
you clouds that ride the heavens aloft,
O sing now, alleluia!
Fair rising morn, with praise rejoice,
stars nightly shining, find a voice:
alleluia, alleluia, alleluia,
alleluia, alleluia!
3 Swift flowing water, pure and clear,
make music for your Lord to hear,
alleluia, alleluia!
Fire, so intense and fiercely bright,
you give to us both warmth and light,
alleluia, alleluia, alleluia,
alleluia, alleluia!
4 Earth ever fertile, day by day
unfold your blessings on our way,
O sing now, alleluia!
All flowers and fruits that in you grow,
God's glory let them also show:
alleluia, alleluia, alleluia,
alleluia, alleluia!
5 All you with mercy in your heart,
forgiving others, take your part,
alleluia, alleluia!
All you that pain and sorrow bear,
praise God, and cast on God your care:
alleluia, alleluia, alleluia,
alleluia, alleluia!
6 And even you, most gentle death,
waiting to hush our final breath,
O sing now, alleluia!
You lead back home the child of God,
for Christ our Lord that way has trod:
alleluia, alleluia, alleluia,
alleluia, alleluia!
7 Let all things their creator bless,
and worship God in humbleness,
alleluia, Alleluia!
Praise God the Father, praise the Son,
and praise the Spirit, Three-in-One:
alleluia, alleluia, alleluia,
alleluia, alleluia! Topics: Praise of God; Repentance; Song of creation Used With Tune: LASST UNS ERFREUEN
All Creatures of Our God and King
A Song of Praise
Appears in 80 hymnals Scripture: Psalm 150:1-2 First Line: In God's own house pronounce his praise Lyrics: 1 In God's own house pronounce his praise,
His grace he there reveals;
To heaven your joy and wonder raise,
For there his glory dwells.
2 Let all your sacred passions move,
While you rehearse his deeds;
But the great work of saving love
Your highest praise exceeds.
3 All that have motion, life and breath,
Proclaim your Maker blest;
Yet when my voice expires in death,
My soul shall praise him best.
A Song of Praise
ALLELUIA (LOWE)
Meter: 8.7.8.7 with alleluias Appears in 34 hymnals Composer and/or Arranger: Albert Lowe Scripture: Psalm 150:6 Tune Key: C Major Incipit: 11222 44333 17673 Used With Text: Mighty God, while angels bless thee
ALLELUIA (LOWE)
Apertura del culto (Llamados a la adoración)
Hymnal: Celebremos Su Gloria #642 (1992) Scripture: Psalm 150:1-2 First Line: Del Señor es la tierra y todo lo que hay en ella Topics: Música Litúrgica; Liturgical Music Languages: Spanish
Apertura del culto (Llamados a la adoración)
All people that on earth do dwell
Author: William Kethe, d. 1594 Hymnal: Singing the Faith #1 (2011) Meter: 8.8.8.8 Scripture: Psalm 150:6 Topics: The Nature and Mystery of God The Holy Trinity Languages: English Tune Title: OLD 100TH
All people that on earth do dwell
All People That on Earth Do Dwell (Psalm 100)
Author: William Kethe Hymnal: Glory to God #385 (2013) Meter: 8.8.8.8 Scripture: Psalm 150:6 First Line: All people that on earth do dwell Lyrics: 1 All people that on earth do dwell,
sing to the Lord with cheerful voice;
him serve with mirth, his praise forth tell.
Come ye before him and rejoice.
2 Know that the Lord is God indeed;
without our aid he did us make;
we are his folk; he doth us feed,
and for his sheep he doth us take.
3 O enter then his gates with praise;
approach with joy his courts unto;
praise, laud, and bless his name always,
for it is seemly so to do.
4 For why? The Lord our God is good;
his mercy is forever sure;
his truth at all times firmly stood,
and shall from age to age endure.
Topics: Care of Creation; Gathering; Praise; Sovereignty of God Languages: English Tune Title: OLD HUNDREDTH
All People That on Earth Do Dwell (Psalm 100)
Anonymous
Scripture: Psalm 150 Translator (Spanish) of "Praise God, from Whom All Blessings Flow (A Dios, el Padre celestial)" in Santo, Santo, Santo In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Chester G. Allen
1838 - 1878 Scripture: Psalm 150:2 Composer of "JOYFUL SONG" in The Worshiping Church Chester G. Allen was known as a teacher, composer and musical writer. He taught music in Cleveland, Ohio public schools. He also edited and compiled collections of music for schools and churches, containing many of his own compositions.
Nancy Naber
Chester G. Allen
St. Ambrose
340 - 397 Person Name: Ambrose, 340-397 Scripture: Psalm 150:1 Author (Dutch) of "Praise God, from Whom All Blessings Flow" in Lift Up Your Hearts Ambrose (b. Treves, Germany, 340; d. Milan, Italy, 397), one of the great Latin church fathers, is remembered best for his preaching, his struggle against the Arian heresy, and his introduction of metrical and antiphonal singing into the Western church. Ambrose was trained in legal studies and distinguished himself in a civic career, becoming a consul in Northern Italy. When the bishop of Milan, an Arian, died in 374, the people demanded that Ambrose, who was not ordained or even baptized, become the bishop. He was promptly baptized and ordained, and he remained bishop of Milan until his death. Ambrose successfully resisted the Arian heresy and the attempts of the Roman emperors to dominate the church. His most famous convert and disciple was Augustine. Of the many hymns sometimes attributed to Ambrose, only a handful are thought to be authentic. Bert Polman =====================
Ambrosius (St. Ambrose), second son and third child of Ambrosius, Prefect of the Gauls, was born at Lyons, Aries, or Treves--probably the last--in 340 A.D. On the death of his father in 353 his mother removed to Rome with her three children. Ambrose went through the usual course of education, attaining considerable proficiency in Greek; and then entered the profession which his elder brother Satyrus had chosen, that of the law. In this he so distinguished himself that, after practising in the court of Probus, the Praetorian Prefect of Italy, he was, in 374, appointed Consular of Liguria and Aemilia. This office necessitated his residence in Milan. Not many months after, Auxentius, bishop of Milan, who had joined the Arian party, died; and much was felt to depend upon the person appointed as his successor. The church in which the election was held was so filled with excited people that the Consular found it necessary to take steps fur preserving the peace, and himself exhorted them to peace and order: when a voice suddenly exclaimed, "Ambrose is Bishop," and the cry was taken up on all sides. He was compelled to accept the post, though still only a catechumen; was forthwith baptized, and in a week more consecrated Bishop, Dec. 7, 374. The death of the Emperor Valentinian I., in 375, brought him into collision with Justina, Valentinian's second wife, an adherent of the Arian party: Ambrose was supported by Gratian, the elder son of Valentinian, and by Theodosius, whom Gratian in 379 associated with himself in the empire. Gratian was assassinated in 383 by a partisau of Maximus, and Ambrose was sent to treat with the usurper, a piece of diplomacy in which he was fairly successful. He found himself, however, left to carry on the contest with the Arians and the Empress almost alone. He and the faithful gallantly defended the churches which the heretics attempted to seize. Justina was foiled: and the advance of Maximus on Milan led to her flight, and eventually to her death in 388. It was in this year, or more probably the year before (387), that Ambrose received into the Church by baptism his great scholar Augustine, once a Manichaean heretic. Theodosius was now virtually head of the Roman empire, his colleague Valentinian II., Justina's son, being a youth of only 17. In the early part of 390 the news of a riot at Thessalonica, brought to him at Milan, caused him to give a hasty order for a general massacre at that city, and his command was but too faithfully obeyed. On his presenting himself a few days after at the door of the principal church in Milan, he was met by Ambrose, who refused him entrance till he should have done penance for his crime. It was not till Christmas, eight months after, that the Emperor declared his penitence, and was received into communion again by the Bishop. Valentinian was murdered by Arbogastes, a Frank general, in 392; and the murderer and his puppet emperor Eugenius were defeated by Theodosius in 394. But the fatigues of the campaign told on the Emperor, and he died the following year. Ambrose preached his funeral sermon, as he had done that of Valentinian. The loss of these two friends and supporters was a severe blow to Ambrose; two unquiet years passed, and then, worn with labours and anxieties, he himself rested from his labours on Easter Eve, 397. It was the 4th of April, and on that day the great Bishop of Milan is remembered by the Western Church, but Rome commemorates his consecration only, Dec. 7th. Great he was indeed, as a scholar, an organiser, a statesman; still greater as a theologian, the earnest and brilliant defender of the Catholic faith against the Arians of the West, just as Athanasius (whose name, one cannot but remark, is the same as his in meaning) was its champion against those of the East. We are now mainly concerned with him as musician and poet, "the father of Church song" as he is called by Grimm. He introduced from the East the practice of antiphonal chanting, and began the task, which St. Gregory completed, of systematizing the music of the Church. As a writer of sacred poetry he is remarkable for depth and severity. He does not warm with his subject, like Adam of St. Victor, or St. Bernard. "We feel," says Abp. Trench, "as though there were a certain coldness in his hymns, an aloofness of the author from his subject. "A large number of hymns has been attributed to his pen; Daniel gives no fewer than 92 called Ambrosian. Of these the great majority (including one on himself) cannot possibly be his; there is more or less doubt about the rest. The authorities on the subject are the Benedictine ed. of his works, the Psalterium, or Hymnary, of Cardinal Thomasius, and the Thesaurus Hymnologicus of Daniel. The Benedictine editors give 12 hymns as assignable to him, as follows:—1. Aeterna Christi munera. 2. Aeterne rerum Conditor. 3. Consors Paterni luminii. 4. Deus Creator omnium. 5. Fit porta Christi pervia, 6. Illuminans Altissimus. 7. Jam surgit hora tertia. 8. 0 Lux Beata Trinitas. 9. Orabo mente Dominum. 10. Somno refectis artubus. 11. Splendor Paternae gloriae. 12. Veni Redemptor gentium. Histories of these hymns, together with details of translations into English, are given in this work, and may be found under their respective first lines. The Bollandists and Daniel are inclined to attribute to St. Ambrose a hymn, Grates tibi Jesu novas, on the finding of the relics of SS. Gervasius and Protasius. These, we know, were discovered by him in 386, and it is by no means unlikely that the bishop should have commemorated in verse an event which he announces by letter to his sister Marcellina with so much satisfaction, not to say exultation.A beautiful tradition makes the Te Deum laudamus to have been composed under inspiration, and recited alternately, by SS. Ambrose and Augustine immediately after the baptism of the latter in 387. But the story rests upon a passage which there is every reason to consider spurious, in the Chronicon of Dacius, Bishop of Milan in 550. There is no hint of such an occurrence in the Confessions of St. Augustine, nor in Paulinue's life of St. Ambrose, nor in any authentic writing of St. Ambrose himself. The hymn is essentially a compilation, and there is much reason to believe, with Merati, that it originated in the 5th century, in the monastery of St. Honoratus at Lerins. [Te Deum.] -- John Julian, Dictionary of Hymnology (1907)
Also known as: Ambrotio, Ambrosio de Milán Ambrosius Mediolanensis Ambrosius Saint, Bp. of Milan Ambrosius von Mailand Aurelio Ambrogio, Saint, Bishop of Milan Aurelius Ambrosius, Saint, Bishop of Milan Milan, d. 397
St. Ambrose
