My Starred Hymns
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
Ah! Think Not the Lord Delayeth
Author: Percy Deamer Meter: 8.8.7 D Appears in 5 hymnals Scripture: Luke 13:20-21 Used With Tune: AUCTOR OMNIUM BONORUM
Ah! Think Not the Lord Delayeth
Almighty God, we come to make confession
Author: Christopher J. Ellis, b. 1949 Meter: 10.10.10.10.10.10 Appears in 2 hymnals Scripture: Luke 13:1-9 Topics: Repentance and Forgiveness Used With Tune: FINLANDIA
Almighty God, we come to make confession
AUCTOR OMNIUM BONORUM
Meter: 8.8.7 D Appears in 1 hymnal Composer and/or Arranger: J. Lohner; J. S. Bach First Line: Ah! think not the Lord delayeth Scripture: Luke 13:20-21 Tune Key: F Major Used With Text: Ah! Think Not the Lord Delayeth
AUCTOR OMNIUM BONORUM
ALLELUIA URUGUAY
Appears in 2 hymnals First Line: Alle, alle, alleluia! Scripture: Luke 13:29-30 Tune Sources: Traditional melody, Uruguay; Arr. More Voices, 2007 Tune Key: C Major Incipit: 55174 46555 5174 Used With Text: Alle, Alle, Alleluia
ALLELUIA URUGUAY
ALLELUIA MONTEIRO
Appears in 4 hymnals Composer and/or Arranger: Simei Monteiro First Line: Alleluia, alleluia, alleluia Scripture: Luke 13:29-30 Tune Key: D Major Incipit: 35653 576 Used With Text: Alleluia
ALLELUIA MONTEIRO
Ah! Think Not the Lord Delayeth
Author: Percy Deamer Hymnal: Rejoice in the Lord #604 (1985) Meter: 8.8.7 D Scripture: Luke 13:20-21 Languages: English Tune Title: AUCTOR OMNIUM BONORUM
Ah! Think Not the Lord Delayeth
Alle, Alle, Alleluia
Hymnal: Lift Up Your Hearts #960 (2013) First Line: Alle, alle, alleluia! Scripture: Luke 13:29-30 Lyrics: Alle, alle, alleluia!
Alle, alle, alleluia!
Alle, alle, allelu,
alle, alleluia!
Alle, alle, allelu,
alle, alleluia! Topics: Short refrains Languages: English Tune Title: ALLELUIA URUGUAY
Alle, Alle, Alleluia
Percy Dearmer
1867 - 1936 Person Name: Percy Deamer First Line: Ah! think not the Lord delayeth Scripture: Luke 13:20-21 Author of "Ah! Think Not the Lord Delayeth" in Rejoice in the Lord Dearmer, Percy, M.A., son of Thomas Dearmer, was born in London, Feb. 27, 1867, and educated at Westminster School and at Christ Church, Oxford (B.A. 1890, M.A. 1896). He was ordained D. 1891, P. 1892, and has been since 1901 Vicar of S. Mary the Virgin, Primrose Hill, London. He has been Secretary of the London Branch of the Christian Social Union since 1891, and is the author of The Parson's Handbook, 1st edition, 1899, and other works. He was one of the compilers of the English Hymnal, 1906, acting as Secretary and Editor, and contributed to it ten translations (38, 95, 150, 160, 165, 180, 215, 237, 352, 628) and portions of two others (242, 329), with the following originals:—
1. A brighter dawn is breaking. Easter. Suggested by the Aurora lucis, p. 95, but practically original.
2. Father, Who on man dost shower. Temperance.
3. God, we thank Thee, not in vain. Burial.
4. Holy God, we offer here. Holy Communion.
5. Jesu, good above all other. For Children.
6. Lord, the wind and sea obey Thee. For those at Sea.
7. The winter's sleep was long and deep. St. Philip and St. James. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Percy Dearmer
Johann Löhner
1645 - 1705 Person Name: J. Lohner First Line: Ah! think not the Lord delayeth Scripture: Luke 13:20-21 Composer of "AUCTOR OMNIUM BONORUM" in Rejoice in the Lord
Johann Löhner
Johann Sebastian Bach
1685 - 1750 Person Name: J. S. Bach First Line: Ah! think not the Lord delayeth Scripture: Luke 13:20-21 Adapter of "AUCTOR OMNIUM BONORUM" in Rejoice in the Lord Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
