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Be Present at Our Table, Lord
Author: John Cennick Meter: 8.8.8.8 Appears in 96 hymnals
Be Present at Our Table, Lord
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Meter: 8.8.8.8 Appears in 1,890 hymnals Tune Sources: Trente quartre Pseaumes de David, Geneva, 1551, ed. Louis Bourgeois; The Lutheran Hymnal, 1941 (Setting) Tune Key: G Major Incipit: 11765 12333 32143 Used With Text: Be Present at Our Table, Lord
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Be Present at Our Table, Lord
Hymnal: Melodies of Salvation #66 (1901) Languages: English Tune Title: [Be present at our table, Lord]
Be Present at Our Table, Lord
Be Present at Our Table, Lord
Hymnal: Melodies of Salvation #66 (1900) Languages: English Tune Title: [Be present at our table, Lord]
Be Present at Our Table, Lord
Be Present at Our Table, Lord
Author: John Cennick, 1718-1755 Hymnal: Hymnal and Liturgies of the Moravian Church #593 (1969) Meter: 8.8.8.8 Lyrics: Be present at our table, Lord;
Be here and everywhere adored;
From Thine all-bounteous hand our food
May we receive with gratitude. Amen. Topics: Hymns for Special Uses Table Grace Languages: English Tune Title: WAREHAM
Be Present at Our Table, Lord
Thomas Kingo
1634 - 1703 Person Name: Thomas Kingo, 1634-1703 Author (sts. 2-3) of "Be Present at Our Table, Lord" in Ambassador Hymnal
Thomas Kingo
Thomas Tallis
1505 - 1585 Person Name: Thomas Tallis, c.1505-1585 Composer of "TALLIS' CANON" in The Book of Praise Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561).
Bert Polman
Thomas Tallis
Anonymous
Person Name: Unknown Author of "Grace" in The Gospel in Song In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
