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Our refuge is the Lord
Appears in 15 hymnals First Line: Lord, hear the right, attend my cry Topics: Afflictions From the Wicked; Aspirations For Heaven; Aspirations For Holiness; Aspirations For Peace and Rest; Bible A Guide; Bible Instrument of Salvation; Character Good and Bad Contrasted; Character Vicious; Christ Light and Guide; Christians Heirs of Heaven; Church Afflicted; Enemies Many and Mighty; Fidelity; God Guide; God Hearer of Prayer; Gospel Sanctifying and Saving; Heart Broken and Contrite; Heart Claimed of God; Heaven; Life Everlasting ; Nature A Type of Sinners; Parents and Children; Patience; Perseverance; Prayer Complaint in; Prayer For Deliverance from Enemies; Prayer Pleas in; Prayer Promises to; Prayer Sincerity in; Prosperity No Proof of God's Blessing; Providence of God Over Saints; Resurrection; Riches; The Righteous Contrasted with Wicked; The Righteous Reward of; Sin Salvation from; Trust in God Blessed; The Wicked Condemned; The Wicked Separation from; Worship Only as God Appoints; Worship Sincerity required in Scripture: Psalm 17 Used With Tune: [Lord, hear the right, attend my cry]
Our refuge is the Lord
[Lord, hear the right, attend my cry]
Appears in 281 hymnals Tune Sources: Daye's Psalter, 1562 Incipit: 11713 22114 31233 Used With Text: Our refuge is the Lord
[Lord, hear the right, attend my cry]
Psalm 17: Lord, hear the right, attend my cry
Hymnal: Scottish Psalter and Paraphrases #P18 (1800) Meter: 8.6.8.6 First Line: Lord, hear the right, attend my cry Lyrics:
1Lord, hear the right, attend my cry,
unto my pray’r give heed,
That doth not in hypocrisy
from feigned lips proceed.
2And from before thy presence forth
my sentence do thou send:
Toward these things that equal are
do thou thine eyes intend.
3Thou prov’dst mine heart, thou visit’dst me
by night, thou didst me try,
Yet nothing found’st; for that my mouth
shall not sin, purpos’d I.
4As for men’s works, I, by the word
that from thy lips doth flow,
Did me preserve out of the paths
wherein destroyers go.
5Hold up my goings, Lord, me guide
in those thy paths divine,
So that my footsteps may not slide
out of those ways of thine.
6I called have on thee, O God,
because thou wilt me hear:
That thou may’st hearken to my speech,
to me incline thine ear.
7Thy wondrous loving-kindness show,
thou that, by thy right hand,
Sav’st them that trust in thee from those
that up against them stand.
8As th’ apple of the eye me keep;
in thy wings shade me close
9From lewd oppressors, compassing
me round, as deadly foes.
10In their own fat they are inclos’d;
their mouth speaks loftily.
11Our steps they compass’d; and to ground
down bowing set their eye.
12He like unto a lion is
that’s greedy of his prey,
Or lion young, which lurking doth
in secret places stay.
13Arise, and disappoint my foe,
and cast him down, O Lord:
My soul save from the wicked man,
the man which is thy sword.
14From men, which are thy hand, O Lord,
from worldly men me save,
Which only in this present life
their part and portion have.
Whose belly with thy treasure hid
thou fill’st: they children have
In plenty; of their goods the rest
they to their children leave.
15But as for me, I thine own face
in righteousness will see;
And with thy likeness, when I wake,
I satisfy’d shall be.
Scripture: Psalm 17 Languages: English
Psalm 17: Lord, hear the right, attend my cry
Lord, hear the right, attend my cry
Hymnal: The Book of Praise #7 (1972) Meter: 8.6.8.6 Topics: Supplications for Deliverance; Supplications for Guidance Scripture: Psalm 17:1 Languages: English Tune Title: AYRSHIRE
Lord, hear the right, attend my cry
Psalm 17
Hymnal: Foundations Psalter #17 (2023) First Line: Lord, hear the right, attend my cry Lyrics: 1 Lord, hear the right, attend my cry,
unto my prayer give heed,
That doth not in hypocrisy
from feignèd lips proceed.
2 And from before thy presence forth
my sentence do thou send:
Towàrd these things that equal are
do thou thine eyes intend.
3 Thou prov'dst mine heart, thou visit'dst me
by night, thou didst me try,
Yet nothing found'st; for that my mouth
shall not sin, purposed I.
4 As for men's works, I, by the word
that from thy lips doth flow,
Did me preserve out of the paths
wherein destroyers go.
5 Hold up my goings, Lord, me guide
in those thy paths divine,
So that my footsteps may not slide
out of those ways of thine.
6 I callèd have on thee, O God,
because thou wilt me hear:
That thou may'st hearken to my speech,
to me incline thine ear.
7 Thy wondrous loving-kindness show,
thou that, by thy right hand,
Sav'st them that trust in thee from those
that up against them stand.
8 As th' apple of the eye me keep;
in thy wings' shade me close
9 From lewd oppressors, compassing
me round, as deadly foes.
10 In their own fat they are enclosed;
their mouth speaks loftily.
11 Our steps they compassed; and to ground
down bowing set their eye.
12 He like unto a lion is
that's greedy of his prey,
Or lion young, which lurking doth
in secret places stay.
13 Arise, and disappoint my foe,
and cast him down, O Lord:
My soul save from the wicked man,
the man which is thy sword.
14 From men, which are thy hand, O Lord,
from worldly men me save,
Which only in this present life
their part and portion have.
Whose belly with thy treasure hid
thou fill'st: they children have
In plenty; of their goods the rest
they to their children leave.
15 But as for me, I thine own face
in righteousness will see;
And with thy likeness, when I wake,
I satisfied shall be. Scripture: Psalm 17 Languages: English
Psalm 17
Michael Haydn
1737 - 1806 Composer of "SALZBURG" in The Presbyterian Book of Praise Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria.
John Perry
Michael Haydn
Kenneth G. Finlay
1882 - 1974 Person Name: Kenneth George Finlay, b.1882 Composer of "AYRSHIRE" in The Book of Praise
Kenneth G. Finlay
