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Out of the depths I cry to Thee

Author: Martin Luther Appears in 33 hymnals Used With Tune: ES IST GEWISSLICH AN DER ZEIT

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AUS TIEFER NOT

Meter: 8.7.8.7.8.8.7 Appears in 60 hymnals Composer and/or Arranger: Martin Luther, 1483-1546; Johann Herman Schein, 1586-1630 Tune Key: e minor Incipit: 51565 345 Used With Text: From deepest woe I cry to thee
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AUS TIEFER NOTH

Appears in 58 hymnals Tune Sources: Teutsch Kirchenampt, Strassburg, 1525 Tune Key: G Major Incipit: 17122 123 Used With Text: Out of the depths I cry to Thee
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[Out of the depths I cry to Thee]

Meter: 8.7.8.7.8.8.7 Appears in 347 hymnals Composer and/or Arranger: Joseph Klug Tune Key: G Major Incipit: 11321 22313 45321 Used With Text: Out Of The Depths I Cry To Thee

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Out Of The Depths I Cry To Thee

Author: Martin Luther Hymnal: Hymnal for Church and Home #166 (1927) Meter: 8.7.8.7.8.8.7 Lyrics: 1 Out of the depths I cry to Thee; Lord, hear me, I implore Thee. Bow down Thy gracious ear to me As I appear before Thee. If Thou remember each misdeed And give to each his rightful meed, Who can abide Thy presence. 2 Thy pardon, Lord, is gain'd thro' grace; It can alone avail us. Our works can ne’er our guilt efface, The strictest life must fail us. Before Thee none can boast of aught; To fear Thee we are rightly taught, On grace alone depending. 3 My hope is, therefore, in the Lord, And not in mine own merit; I rest upon His faithful word to them of contrite spirit; That He is merciful and just, This is my comfort and my trust, I wait for Him in patience. 4 And though He tarry till the night And till the morn awaken, My heart shall not mistrust His might, Nor count itself forsaken. Do thus, O ye of Israel's seed, Ye of the Spirit born indeed, Wait for your God's appearing. 5 Though great our sins and sore our woes, His help much more aboundeth; His helping love no limit knows, Our utmost need it soundeth. Our Shepherd kind and true is He, Who will at last set Israel free From all their sin and sorrow. Topics: Confession Languages: English Tune Title: [Out of the depths I cry to Thee]
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Out of the depths I cry to Thee

Author: Catherine Winkworth; Luther Hymnal: Chorale Book for England, The #40 (1863) Lyrics: Out of the depths I cry to Thee, Lord, hear me, I implore Thee! Bend down Thy gracious ear to me, Let my prayer come before Thee! If Thou rememb'rest each misdeed, If each should have its rightful meed, Who may abide Thy presence? Our pardon is Thy gift, Thy love And grace alone avail us; Our works could ne'er our guilt remove, The strictest life must fail us, That none may boast himself of aught, But own in fear Thy grace hath wrought What in him seemeth righteous. And thus my hope is in the Lord, And not in mine own merit; I rest upon His faithful word To them of contrite spirit; That He is merciful and just-- Here is my comfort and my trust, His help I wait with patience. And though it tarry till the night, And round till morning waken, My heart shall ne'er mistrust His might, Nor count itself forsaken. Do thus, O ye of Israel's aeed, Ye of the Spirit born indeed, Wait for our God's appearing. Though great our sins and sore our woes. His grace much more aboundeth; His helping love no limit knows, Our utmost need it soundeth; Our kind and faithful Shepherd, He Who shall at last set Israel free From all their sin and sorrow. Languages: English
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Out Of The Depths I Cry To Thee

Author: Miss Winkworth; Martin Luther Hymnal: American Lutheran Hymnal #65 (1930) Meter: 8.7.8.7.8.8.7 Lyrics: 1 Out of the depths I cry to Thee; Lord, hear me, I implore Thee. Incline Thy gracious ear to me As I appear before Thee. If Thou remember each misdeed And give to each his rightful meed, Who can abide Thy presence? 2 Thy pardon, Lord, is gained through grace: It can alone avail us. Our works can ne'er our guilt efface, The strictest life must fail us. Before Thee none can boast of aught; To fear Thee we are rightly taught, On grace alone depending. 3 My hope is, therefore, in the Lord, And not in mine own merit; I rest upon His faithful word To them of contrite spirit; That He is merciful and just, This is my comfort and my trust: I wait for Him in patience. 4 And though I tarry till the night And till the morn awaken, My heart shall not mistrust His might Nor count itself forsaken. Do thus, O ye of Israel's seed, Ye of the Spirit born indeed, Wait for your God's appearing. 5 Though great our sins and sore our woes, His grace much more aboundeth; His helping love no limit knows, Our utmost need it soundeth. Our Shepherd good and true is He, Who will at last set Israel free From all their sin and sorrow. Topics: The Means of Grace Penitence Languages: English Tune Title: DE PROFUNDIS

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Wolfgang Capito

1478 - 1541 Person Name: Wolff Köpphel Composer of "AUS TIEFER NOT" in The Evangelical Hymnal Also known as Wolfgang Köpfel Capito, Wolfgang, son of Hans Köpfel or Kopphel, farrier and counsellor at Hagenau, in Alsace; was born at Hagenau in 1478. At Freiburg, in Breisgau, he studied medicine (M.D. in 1498); then law, and, after his father's death, theology. In 1512 he was appointed preacher at the Benedictine Collegiate Church of Bruchsal. He subsequently held important appointments at Basel, Mainz, and Strassburg. At Strassburg, under the influence of Zell and Bucer, he openly declared for the Reformation, became a freeman of Strassburg, July, 1523, and on Aug. 1, 1524, married the daughter of a Strassburg burgess. Working hand in hand with Bucer, he acted as mediator between the Zwinglians and the Lutherans, and after Zwingle's death he drew up for the Swiss churches a form of church government and worship. He died at Strassburg during the pestilence in the beginning of Nov. 1541 (Koch, ii. 94-101; Allg. Deutsche Biographie, iii. 772-775, the latter dating his birth 1472). He was a good musician and a lover of poetry. Three hymns are known as by him, two of which are based on the Latin. The only one translated into English is noted under “Da pacem " (q.v.). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Martin Luther

1483 - 1546 Author of "Out Of The Depths I Cry To Thee" in Hymnal for Church and Home Luther, Martin, born at Eisleben, Nov. 10, 1483; entered the University of Erfurt, 1501 (B.A. 1502, M.A.. 1503); became an Augustinian monk, 1505; ordained priest, 1507; appointed Professor at the University of Wittenberg, 1508, and in 1512 D.D.; published his 95 Theses, 1517; and burnt the Papal Bull which had condemned them, 1520; attended the Diet of Worms, 1521; translated the Bible into German, 1521-34; and died at Eisleben, Feb. 18, 1546. The details of his life and of his work as a reformer are accessible to English readers in a great variety of forms. Luther had a huge influence on German hymnody. i. Hymn Books. 1. Ellich cristlich lider Lobgesang un Psalm. Wittenberg, 1524. [Hamburg Library.] This contains 8 German hymns, of which 4 are by Luther. 2. Eyn Enchiridion oder Handbuchlein. Erfurt, 1524 [Goslar Library], with 25 German hymns, of which 18 are by Luther. 3. Geystliche Gesangk Buchleyn. Wittenberg, 1524 [Munich Library], with 32 German hymns, of which 24 are by Luther. 4. Geistliche Lieder auffs new gebessert. Wittenberg. J. Klug, 1529. No copy of this book is now known, but there was one in 1788 in the possession of G. E. Waldau, pastor at Nürnberg, and from his description it is evident that the first part of the Rostock Gesang-Buch, 1531, is a reprint of it. The Rostock Gesang-Buch, 1531, was reprinted by C. M. Wiechmann-Kadow at Schwerin in 1858. The 1529 evidently contained 50 German hymns, of which 29 (including the Litany) were by Luther. 5. Geistliche Lieder auffs new gebessert. Erfurt. A. Rauscher, 1531 [Helmstädt, now Wolfenbüttel Library], a reprint of No. 4. 6. Geistliche Lieder. Wittenberg. J. Klug, 1535 [Munich Library. Titlepage lost], with 52 German hymns, of which 29 are by Luther. 7. Geistliche Lieder auffs new gebessert. Leipzig. V. Schumann, 1539 [Wernigerode Library], with 68 German hymns, of which 29 are by Luther. 8. Geistliche Lieder. Wittenberg. J. Klug, 1543 [Hamburg Library], with 61 German hymns, of which 35 are by Luther. 9. Geystliche Lieder. Leipzig. V. Babst, 1545 [Gottingen Library]. This contains Luther's finally revised text, but adds no new hymns by himself. In pt. i. are 61 German hymns, in pt. ii. 40, of which 35 in all are by Luther. For these books Luther wrote three prefaces, first published respectively in Nos. 3, 4, 9. A fourth is found in his Christliche Geseng, Lateinisch und Deudsch, zum Begrebnis, Wittenberg, J. Klug, 1542. These four prefaces are reprinted in Wackernagel’s Bibliographie, 1855, pp. 543-583, and in the various editions of Luther's Hymns. Among modern editions of Luther's Geistliche Lieder may be mentioned the following:— Carl von Winterfeld, 1840; Dr. C. E. P. Wackernagel, 1848; Q. C. H. Stip, 1854; Wilhelm Schircks, 1854; Dr. Danneil, 1883; Dr. Karl Gerok, 1883; Dr. A. F. W. Fischer, 1883; A. Frommel, 1883; Karl Goedeke, 1883, &c. In The Hymns of Martin Luther. Set to their original melodies. With an English version. New York, 1883, ed. by Dr. Leonard Woolsey Bacon and Nathan H. Allen, there are the four prefaces, and English versions of all Luther's hymns, principally taken more or less altered, from the versions by A. T. Russell, R. Massie and Miss Winkworth [repub. in London, 1884]. Complete translations of Luther's hymns have been published by Dr. John Anderson, 1846 (2nd ed. 1847), Dr. John Hunt, 1853, Richard Massie, 1854, and Dr. G. Macdonald in the Sunday Magazine, 1867, and his Exotics, 1876. The other versions are given in detail in the notes on the individual hymns. ii. Classified List of Luther's Hymns. Of Luther's hymns no classification can be quite perfect, e.g. No. 3 (see below) takes hardly anything from the Latin, and No. 18 hardly anything from the Psalm. No. 29 is partly based on earlier hymns (see p. 225, i.). No. 30 is partly based on St. Mark i. 9-11, and xvi., 15, 16 (see p. 226, ii.). No. 35 is partly based on St. Luke ii. 10-16. The following arrangement, however, will answer all practical purposes. A. Translations from the Latin. i. From Latin Hymns: 1. Christum wir sollen loben schon. A solis ortus cardine 2. Der du bist drei in Einigkeit. O Lux beata Trinitas. 3. Jesus Christus unser Heiland, Der von. Jesus Christus nostra salus 4. Komm Gott Schopfer, heiliger Geist. Veni Creator Spiritus, Mentes. 5. Nun komm der Beidenheiland. Veni Redemptor gentium 6. Was flirchst du Feind Herodes sehr. A solis ortus cardine ii. From Latin Antiphons, &c.: 7. Herr Gott dich loben wir. Te Deum laudamus. 8. Verleih uns Frieden gnädiglich. Dapacem, Domine 9. Wir glauben all an einen Gott. iii. Partly from the Latin, the translated stanzas being adopted from Pre-Reformation Versions: 10. Komm, heiliger Geist, Herre Gott. 11. Mitten wir im Leben sind. Media vita in morte sumus. B. Hymns revised and enlarged from Pre-Reformation popular hymns. 12. Gelobet seist du Jesus Christ. 13. Gott der Vater wohn uns bei. 14. Gott sei gelobet und gebenedeiet. 15. Nun bitten wir den heiligen Geist. C. Psalm versions. 16. Ach Gott vom Himmel, sieh darein. 17. Aus tiefer Noth schrei ich zu dir. 18. Ein' feste Burg ist unser Gott. 19. Es spricht der Unweisen Mund wohl. 20. Es wollt uns Gott genädig sein. 21. War Gott nicht mit uns diese Zeit. 22. Wohl dem, der in Gotten Furcht steht. D. Paraphrases of other portions of Holy Scripture. 23. Diess sind die heilgen zehn Gebot. 24. Jesaia dem Propheten das geschah. 25. Mensch willt du leben seliglich. 26. Mit Fried und Freud ich fahr dahin. 27. Sie ist mir lieb die werthe Magd. 28. Vater unser im Himmelreich. E. Hymns mainly Original. 29. Christ lag in Todesbanden. 30. Christ unser Herr zum Jordan kam. 31. Ein neues Lied wir heben an. 32. Erhalt uns Herr bei deinem Wort. 33. Jesus Christus unser Heiland, Der den, 34. Nun freut euch lieben Christengemein. 35. Vom Himmel hoch da komm ich her. 36. Vom Himmel kam der Engel Schaar. In addition to these — 37. Fur alien Freuden auf Erden. 38. Kyrie eleison. In the Blätter fur Hymnologie, 1883, Dr. Daniel arranges Luther's hymns according to what he thinks their adaptation to modern German common use as follows:— i. Hymns which ought to be included in every good Evangelical hymn-book: Nos. 7-18, 20, 22, 28, 29, 30, 32, 34, 35, 36, 38. ii. Hymns the reception of which into a hymn-book might be contested: Nos. 2, 3, 4, 19, 21, 22, 23, 24, 25, 33. iii. Hymns not suited for a hymn-book: Nos. 1, 5, 6, 27, 31, 37. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Catherine Winkworth

1827 - 1878 Translator of "Psalm 70" in The United Methodist Hymnal Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church