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Text Identifier:"^sow_the_seed_beside_all_waters$"

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Sow the seed beside all waters

Author: Robert Murray Meter: 8.7.8.7 D Appears in 11 hymnals Scripture: Ecclesiastes 11:6 Used With Tune: AUTUMN

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LUX EOI

Appears in 159 hymnals Composer and/or Arranger: Sir Arthur S. Sullivan Incipit: 55155 44366 53212 Used With Text: Sow the seed beside all waters
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AUTUMN

Meter: 8.7.8.7 D Appears in 462 hymnals Tune Sources: Melody probably of the 18th century. Tune Key: A Flat Major Incipit: 12321 65312 32352 Used With Text: Sow the seed beside all waters
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BETHANY (Smart)

Meter: 8.7.8.7 D Appears in 198 hymnals Composer and/or Arranger: Henry Thomas Smart Tune Key: F Major Incipit: 36531 21765 13543 Used With Text: Sow the Seed Beside All Waters

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Sow the Seed Beside All Waters

Author: Robert Murray Hymnal: The Cyber Hymnal #6256 Meter: 8.7.8.7 D Lyrics: 1. Sow the seed beside all waters, North and south and east and west, That our toiling sons and daughters In the harvest may be blessed. Tell the tidings of salvation ’Mid the storms of Labrador; Speak the word of consolation By the lone Pacific shore. 2. Where the forests old are falling, Yielding place to lawn and lea; Where the fisher plies his calling ’Mid the perils of the sea; Where the tide of commerce rushes Through the city’s crowded street, And unpitying Mammon crushes Poor and weak beneath his feet. 3. Where our brothers, sowing, reaping, Delving for the hidden ore, Now with joy and now with weeping Labor to increase their store; Where the stranger wanders lonely In the homeless wilderness, Tell of Jesus, Jesus only, Who alone can save and bless. 4. Tell how tenderly He careth For the weary and oppressed, How their burdens all He beareth, As He leads them to His rest; Tell that He, the Lord from heaven, Died for all and lives again, All through Him may be forgiven, All with Him in glory reign. 5. Tell His love beyond all telling, Seeking, following those who flee, Love rebellious hearts compelling To His service glad and free. Thus a precious harvest gather, North and south and east and west, To the glory of the Father, Son, and Spirit ever blest. Languages: English Tune Title: BETHANY (Smart)

Sow the seed beside all waters

Hymnal: Church Hymnal, Third Edition #283 (1919) Languages: English
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Sow the seed beside all waters

Author: Robert Murray Hymnal: Services and Songs #65 (1923) Languages: English Tune Title: LUX EOI

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Arthur Sullivan

1842 - 1900 Person Name: Sir Arthur S. Sullivan Composer of "LUX EOI" in Junior Church School Hymnal Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Henry Thomas Smart

1813 - 1879 Composer of "BETHANY (Smart)" in The Cyber Hymnal Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

Robert Murray

1832 - 1910 Person Name: Robert Murray, 1838-1909 Author of "Sow the seed beside all waters" in The Book of Praise Murray, Robert, Minister of the Presbyterian Church in Canada, born Dec. 25, 1832, is the author of "From ocean unto ocean" (National Hymn), and "Lord, Thou lov'st the cheerful giver" (Almsgiving), in the Scotch Church Hymnary, 1898. [Rev. James Bonar M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ====================== Murray, Robert. (Earltown, Nova Scotia, December 25, 1832--December 12, 1910, Halifax, N.S.). Presbyterian. Study at Halifax's Free Church College yielded him a licence to preach, but instead of seeking ordination he edited (1855-1910) his denomination's principal periodical in the Maritimes, Presbyterian Witness. In its pages, and from pulpits, he strongly supported controversial causes like temperance, Sunday observance, and the Confederation of 1867 (which in Halifax was greeting with a day of public mourning). These interests are reflected in his four hymns included in Canadian Presbyterians' first Hymnal (1880)--though, as the sole native-born contributor, he attached to them only the initial "M." to avoid giving the impression of claiming equality with poets of the homeland. --Hugh D. McKellar, DNAH Archives