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Jesus Lives! Thy Terrors Now
Author: Christian Fürchtegott Gellert; Frances Elizabeth Cox Meter: 7.8.7.8 Appears in 279 hymnals Text Sources: German
Jesus Lives! Thy Terrors Now
JESUS MEINE ZUVERSICHT
Meter: 7.8.7.8.7.7 Appears in 177 hymnals Composer and/or Arranger: J. Crüger; J. S. Bach Tune Sources: harmony simplified Tune Key: C Major Incipit: 54367 11767 15434 Used With Text: Jesus Lives! The Victory's Won!
JESUS MEINE ZUVERSICHT
CHRIST IST ERSTANDEN
Meter: 7.8.7.8 wiht alleluia Appears in 73 hymnals Tune Sources: Traditional German Melody, c. 13th century Tune Key: d minor Incipit: 54571 55453 23114 Used With Text: Jesus lives! Thy terrors now
CHRIST IST ERSTANDEN
Jesus lives! thy terrors now
Author: Miss Cox; C. F. Gellert Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #122a (1894) Meter: 7.8 Lyrics: 1 Jesus lives! thy terrors now
Can no longer, death, appall us:
Jesus lives! by this we know
Thou, O grave, canst not enthrall us.
Alleluia!
2 Jesus lives! henceforth is death
But the gate of life immortal;
This shall calm our trembling breath,
When we pass its gloomy portal.
Alleluia!
3 Jesus lives! for us He died;
Then, alone to Jesus living,
Pure in heart may we abide,
Glory to our Saviour giving.
Alleluia!
4 Jesus lives! our hearts know well
Naught from us His love shall sever;
Life, nor death, nor powers of hell
Tear us from His keeping ever.
Alleluia!
5 Jesus lives! to Him the throne
Over all the world is given:
May we go where He has gone,
Rest and reign with Him in heaven.
Alleluia!
Amen.
Topics: Eastertide; Burial of the Dead Languages: English Tune Title: [Jesus lives! thy terrors now]
Jesus lives! thy terrors now
Jesus lives! thy terrors now
Author: C. F. Gellert; Miss Cox Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #122b (1894) Meter: Irregular Lyrics: 1 Jesus lives! thy terrors now
Can no longer, death, appall us:
Jesus lives! by this we know
Thou, O grave, canst not enthrall us.
Alleluia!
2 Jesus lives! henceforth is death
But the gate of life immortal;
This shall calm our trembling breath,
When we pass its gloomy portal.
Alleluia!
3 Jesus lives! for us He died;
Then, alone to Jesus living,
Pure in heart may we abide,
Glory to our Saviour giving.
Alleluia!
4 Jesus lives! our hearts know well
Naught from us His love shall sever;
Life, nor death, nor powers of hell
Tear us from His keeping ever.
Alleluia!
5 Jesus lives! to Him the throne
Over all the world is given:
May we go where He has gone,
Rest and reign with Him in heaven.
Alleluia!
Amen. Topics: Burial of the Dead; Eastertide Languages: English Tune Title: [Jesus lives! thy terrors now]
Jesus lives! thy terrors now
Jesus lives! thy terrors now
Author: C. F. Gellert Hymnal: The Lutheran Hymnary #331 (1913) Meter: 7.8.7.8.7.7 Lyrics: 1 Jesus lives! thy terrors now
Can no longer, Death, appall me;
Jesus live! by this I know,
From the grave He will recall me.
Brighter scenes will then commence;
This shall be my confidence.
2 Jesus lives! to Him the throne
High o'er heaven and earth is given:
I shall go where He is gone,
Live and reign with Him in heaven.
God through Christ forgives offense;
This shall be my confidence.
3 Jesus lives! for me He died;
Hence will I, to Jesus living,
Pure in heart and act abide,
Praise to Him and glory giving.
Freely God doth aid dispense;
This shall be my confidence.
4 Jesus lives! I know full well
Naught from me His love shall sever;
Life, nor death, nor powers of hell,
Part me now from Christ forever.
God will be a sure defense;
This shall be my confidence.
5 Jesus lives! henceforth is death
But the gate of life immortal;
This shall calm my trembling breath,
When I pass its gloomy portal.
Faith shall cry, as fails each sense,
"Lord, Thou art my confidence." Topics: The Church Year Easter; The Church Year Easter Tune Title: [Jesus lives! thy terrors now]
Jesus lives! thy terrors now
Frances Elizabeth Cox
1812 - 1897 Person Name: Miss Cox Translator of "Jesus lives! thy terrors now" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Cox, Frances Elizabeth, daughter of Mr. George V. Cox, born at Oxford, is well known as a successful translator of hymns from the German. Her translations were published as Sacred Hymns from the German, London, Pickering. The 1st edition, pub. 1841, contained 49 translations printed with the original text, together with biographical notes on the German authors. In the 2nd edition, 1864, Hymns from the German, London, Rivingtons, the translations were increased to 56, those of 1841 being revised, and with additional notes. The 56 translations were composed of 27 from the 1st ed. (22 being omitted) and 29 which were new. The best known of her translations are "Jesus lives! no longer [thy terrors] now" ; and ”Who are these like stars appearing ?" A few other translations and original hymns have been contributed by Miss Cox to the magazines; but they have not been gathered together into a volume.
-- John Julian, Dictionary of Hymnology (1907)
Frances Elizabeth Cox
Henry J. Gauntlett
1805 - 1876 Person Name: H. J. Gauntlett, Mus. Doc. Composer of "[Jesus lives! thy terrors now]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844).
Bert Polman
Henry J. Gauntlett
Johann Crüger
1598 - 1662 Person Name: J. Crüger Composer of "JESUS CHRIST, MY SURE DEFENCE" in Christian Hymns Johann Crüger (b. Grossbriesen, near Guben, Prussia, Germany, 1598; d. Berlin, Germany, 1662) Crüger attended the Jesuit College at Olmutz and the Poets' School in Regensburg, and later studied theology at the University of Wittenberg. He moved to Berlin in 1615, where he published music for the rest of his life. In 1622 he became the Lutheran cantor at the St. Nicholas Church and a teacher for the Gray Cloister. He wrote music instruction manuals, the best known of which is Synopsis musica (1630), and tirelessly promoted congregational singing. With his tunes he often included elaborate accompaniment for various instruments. Crüger's hymn collection, Neues vollkomliches Gesangbuch (1640), was one of the first hymnals to include figured bass accompaniment (musical shorthand) with the chorale melody rather than full harmonization written out. It included eighteen of Crüger's tunes. His next publication, Praxis Pietatis Melica (1644), is considered one of the most important collections of German hymnody in the seventeenth century. It was reprinted forty-four times in the following hundred years. Another of his publications, Geistliche Kirchen Melodien (1649), is a collection arranged for four voices, two descanting instruments, and keyboard and bass accompaniment. Crüger also published a complete psalter, Psalmodia sacra (1657), which included the Lobwasser translation set to all the Genevan tunes.
Bert Polman
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Crüger, Johann, was born April 9, 1598, at Gross-Breese, near Guben, Brandenburg. After passing through the schools at Guben, Sorau and Breslau, the Jesuit College at Olmütz, and the Poets' school at Regensburg, he made a tour in Austria, and, in 1615, settled at Berlin. There, save for a short residence at the University of Wittenberg, in 1620, he employed himself as a private tutor till 1622. In 1622 he was appointed Cantor of St. Nicholas's Church at Berlin, and also one of the masters of the Greyfriars Gymnasium. He died at Berlin Feb. 23, 1662. Crüger wrote no hymns, although in some American hymnals he appears as "Johann Krüger, 1610,” as the author of the supposed original of C. Wesley's "Hearts of stone relent, relent" (q.v.). He was one of the most distinguished musicians of his time. Of his hymn tunes, which are generally noble and simple in style, some 20 are still in use, the best known probably being that to "Nun danket alle Gott" (q.v.), which is set to No. 379 in Hymns Ancient & Modern, ed. 1875. His claim to notice in this work is as editor and contributor to several of the most important German hymnological works of the 16th century, and these are most conveniently treated of under his name. (The principal authorities on his works are Dr. J. F. Bachmann's Zur Geschichte der Berliner Gesangbücher 1857; his Vortrag on P. Gerhard, 1863; and his edition of Gerhardt's Geistliche Lieder, 1866. Besides these there are the notices in Bode, and in R. Eitner's Monatshefte für Musik-Geschichte, 1873 and 1880). These works are:—
1. Newes vollkömmliches Gesangbuch, Augspur-gischer Confession, &c, Berlin, 1640 [Library of St. Nicholas's Church, Berlin], with 248 hymns, very few being published for the first time.
2. Praxis pietatis melica. Das ist: Ubung der Gottseligkeit in Christlichen und trostreichen Gesängen. The history of this, the most important work of the century, is still obscure. The 1st edition has been variously dated 1640 and 1644, while Crüger, in the preface to No. 3, says that the 3rd edition appeared in 1648. A considerable correspondence with German collectors and librarians has failed to bring to light any of the editions which Koch, iv. 102, 103, quotes as 1644, 1647, 1649, 1650, 1651, 1652, 1653. The imperfect edition noted below as probably that of 1648 is the earliest Berlin edition we have been able to find. The imperfect edition, probably ix. of 1659, formerly in the hands of Dr. Schneider of Schleswig [see Mützell, 1858, No. 264] was inaccessible. The earliest perfect Berlin edition we have found is 1653.
The edition printed at Frankfurt in 1656 by Caspar Röteln was probably a reprint of a Berlin edition, c. 1656. The editions printed at Frankfurt-am-Main by B. C. Wust (of which the 1666 is in the preface described as the 3rd) are in considerable measure independent works.
In the forty-five Berlin and over a dozen Frankfurt editions of this work many of the hymns of P. Gerhardt, J. Franck, P. J. Spener, and others, appear for the first time, and therein also appear many of the best melodies of the period.
3. Geistliche Kirchen-Melodien, &c, Leipzig, 1649 [Library of St. Katherine's Church, Brandenburg]. This contains the first stanzas only of 161 hymns, with music in four vocal and two instrumental parts. It is the earliest source of the first stanzas of various hymns by Gerhardt, Franck, &c.
4. D. M. Luther's und anderer vornehmen geisU reichen und gelehrten Manner Geistliche Lieder und Psalmen, &c, Berlin, 1653 [Hamburg Town Library], with 375 hymns. This was edited by C. Runge, the publisher, and to it Crüger contributed some 37 melodies. It was prepared at the request of Luise Henriette (q.v.), as a book for the joint use of the Lutherans and the Re¬formed, and is the earliest source of the hymns ascribed to her, and of the complete versions of many hymns by Gerhardt and Franck.
5. Psalmodia Sacra, &c, Berlin, 1658 [Royal Library, Berlin]. The first section of this work is in an ed. of A. Lobwasser's German Psalter; the second, with a similar title to No. 4, and the date 1657, is practically a recast of No. 4,146 of those in 1653 being omitted, and the rest of the 319 hymns principally taken from the Praxis of 1656 and the hymn-books of the Bohemian Brethren. New eds. appeared in 1676, 1700, 1704, 1711, and 1736.
[Rev. James Mearns, M.A.]
-- Excerpt from John Julian, Dictionary of Hymnology (1907)
=======================
Crüger, Johann, p. 271, ii. Dr. J. Zahn, now of Neuendettelsau, in Bavaria, has recently acquired a copy of the 5th ed., Berlin, 1653, of the Praxis.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Johann Crüger
