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Jesus comes with clouds descending
Author: J. Cennick (1718-1755); C. Wesley (1707-1788); M. Madan (1726-1790) Appears in 768 hymnals Matching Instances: 66 Topics: God, Saviour Returning and Triumphant; Advent 1 The Advent Hope Scripture: Revelation 1:7 Used With Tune: HELMSLEY
Jesus comes with clouds descending
Christ is Coming!
Author: John R. Macduff Appears in 117 hymnals Matching Instances: 1 First Line: Christ is coming! Let creation Used With Tune: HELMSLEY
Christ is Coming!
Lo! He Comes, An Infant Stranger
Author: Richard Mant, 1776-1848 Hymnal: The Cyber Hymnal #11065 Lyrics: 1 Lo! He comes, an infant stranger,
Of a lowly mother born;
Swathed and cradled in a manger,
Of His pristine glory shorn!
Alleluia! Alleluia! Alleluia!
Praise ye God’s incarnate Son.
Lo! He comes, the great Creator,
Calling all the world’s to own
Him the judge and Lord of nature,
Seated on His Father’s throne!
Alleluia! Alleluia! Alleluia!
Praise ye Him the Living One!
2 Lo! He comes to man unfriended,
Fain with stabled beasts to rest;
Shepherds who their night-fold tended,
Hailed alone the newborn guest!
Alleluia! Alleluia! Alleluia!
Praise ye Jesse’s tender rod!
Lo! He comes, around Him pouring
All the armies of the sky;
Cherub, seraph hosts adoring,
Swell His state and loudly cry,
Alleluia! Alleluia! Alleluia!
Praise ye Christ the Son of God.
3 Lo! He comes constrained to borrow
Shelter from yon stabled shed;
He who shall through years of sorrow
Have not where to lay His head!
Alleluia! Alleluia! Alleluia!
Praise Him, slighted by His own!
Lo! He comes, all grief expelling
From the hearts that Him receive;
He to each with Him a dwelling
In His Father’s house will give!
Alleluia! Alleluia! Alleluia!
Praise Him on the glory throne!
4 Man of human flesh partaking,
Offspring of the virgin’s womb,
Who, the hopeless wand’rer seeking,
Deigned in lowly guise to come!
Alleluia! Alleluia! Alleluia!
Praise ye the incarnate Word,
Son of the eternal Father,
Who again in pow’r shall come;
Round Him shall the nations gather,
Finding life, or waiting doom!
Alleluia! Alleluia! Alleluia!
Praise ye Him the living Word! Languages: English Tune Title: [Lo! He comes an infant stranger]
Lo! He Comes, An Infant Stranger
Lo, He Comes with Clouds Descending
Author: John Cennick; Charles Wesley; Martin Madan Hymnal: The Cyber Hymnal #3717 Meter: 8.7.8.7.8.7 First Line: Lo! He comes with clouds descending Lyrics: 1. Lo! He comes with clouds descending,
Once for favored sinners slain;
Thousand thousand saints attending,
Swell the triumph of His train:
Hallelujah! Hallelujah! Hallelujah!
God appears on earth to reign.
2. Every eye shall now behold Him
Robed in dreadful majesty;
Those who set at naught and sold Him,
Pierced and nailed Him to the tree,
Deeply wailing, deeply wailing, deeply wailing,
Shall the true Messiah see.
3. Every island, sea, and mountain,
Heav’n and earth, shall flee away;
All who hate Him must, confounded,
Hear the trump proclaim the day:
Come to judgment! Come to judgment! Come to judgment!
Come to judgment! Come away!
4. Now redemption, long expected,
See in solemn pomp appear;
All His saints, by man rejected,
Now shall meet Him in the air:
Hallelujah! Hallelujah! Hallelujah!
See the day of God appear!
5. Answer Thine own bride and Spirit,
Hasten, Lord, the general doom!
The new Heav’n and earth t’inherit,
Take Thy pining exiles home:
All creation, all creation, all creation,
Travails! groans! and bids Thee come!
6. The dear tokens of His passion
Still His dazzling body bears;
Cause of endless exultation
To His ransomed worshippers;
With what rapture, with what rapture, with what rapture
Gaze we on those glorious scars!
7. Yea, Amen! let all adore Thee,
High on Thine eternal throne;
Savior, take the power and glory,
Claim the kingdom for Thine own;
O come quickly! O come quickly! O come quickly!
Everlasting God, come down!
This is believed to be the original version of Cennick’s text:
1. Lo! He cometh, countless Trumpets,
Blow before his bloody Sign!
’Midst ten Thousand Saints and Angels,
See the Crucified shine,
Allelujah! Welcome, welcome bleeding Lamb!
2. Now his Merits by the Harpers,
Thro’ the eternal Deeps resounds!
resplendent shine his Nail Prints,
Ev’ry Eye shall see his Wounds!
They who pierc’d Him, shall at his appearing wail.
3. Ev’ry Island, Sea, and Mountain,
Heav’n and Earth shall flee away!
All who hate him must ashamed,
Hear the Trump proclaim the Day:
Come to Judgment! Stand before the Son of Man!
4. All who love him view his Glory
Shining in his bruised Face:
His dear Person on the Rainbow,
Now his Peoples Heads shall raise:
Happy Mourners! Now on Clouds he comes! He comes!
5. Now Redemption long expected,
See, in solemn Pomp appear;
All his People, once despised,
Now shall meet him in the Air:
Allelujah! Now the promis’d Kingdom’s come!
6. View him smiling, now determin’d,
Ev’ry Evil to destroy!
All the nations now shall sing him,
Songs of everlasting Joy!
O come quickly! Allelujah! Come Lord, come! Languages: English Tune Title: HELMSLEY
Lo, He Comes with Clouds Descending
Lo! He Comes with Clouds Descending
Author: Charles Wesley, 1707-88 Hymnal: Hymnal Supplement 98 #802 (1998) Meter: 8.7.8.7.12.7 Lyrics: 1 Lo! He comes with clouds descending,
Once for ev'ry sinner slain;
Thousand thousand saints attending
Swell the triumph of His train:
Alleluia, alleluia, alleluia!
Christ the Lord returns to reign.
2 Ev'ry eye shall now behold Him
Robed in glorious majesty;
Those who set at nought and sold Him,
Pierced and nailed Him to the tree,
Deeply wailing, deeply wailing, deeply wailing.
Shall their true Messiah see.
3 Those dear tokens of His passion
Still His dazzling body bears,
Cause of endless exultation
To His ransomed worshipers.
With what rapture, with what rapture, with what rapture
Gaze we on those glorious scars!
4 Yea, amen, let all adore Thee,
High on Thine eternal throne;
Savior, take the pow'r and glory,
Claim the kingdom as Thine own.
Alleluia, alleluia, alleluia!
Thou shalt reign, and Thou alone! Topics: Advent; Canticles and Service Music; Kingdom of God; Sunday of the Fulfillment Scripture: Revelation 1:7 Languages: English Tune Title: HELMSLEY
Lo! He Comes with Clouds Descending
Charles Wesley
1707 - 1788 Author of "Jesus Comes with Clouds Descending" in The Presbyterian Hymnal Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Thomas Olivers
1725 - 1799 Composer of "HELMSLEY" in The Presbyterian Hymnal Thomas Olivers was born in Tregonan, Montgomeryshire, in 1725. His youth was one of profligacy, but under the ministry of Whitefield, he was led to a change of life. He was for a time apprenticed to a shoemaker, and followed his trade in several places. In 1763, John Wesley engaged him as an assistant; and for twenty-five years he performed the duties of an itinerant ministry. During the latter portion of his life he was dependent on a pension granted him by the Wesleyan Conference. He died in 1799.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
==================
Olivers, Thomas, was born at Tregynon, near Newtown, Montgomeryshire, in 1725. His father's death, when the son was only four years of age, followed by that of the mother shortly afterwards, caused him to be passed on to the care of one relative after another, by whom he was brought up in a somewhat careless manner, and with little education. He was apprenticed to a shoemaker. His youth was one of great ungodliness, through which at the age of 18 he was compelled to leave his native place. He journeyed to Shrewsbury, Wrexham, and Bristol, miserably poor and very wretched. At Bristol he heard G. Whitefield preach from the text "Is not this a brand plucked out of the fire?" That sermon turned the whole current of his life, and he became a decided Christian. His intention at the first was to join the followers of Whitefield, but being discouraged from doing so by one of Whitefield's preachers, he subsequently joined the Methodist Society at Bradford-on-Avon. At that town, where he purposed carrying on his business of shoemaking, he met John Wesley, who, recognising in him both ability and zeal, engaged him as one of his preachers. Olivers joined Wesley at once, and proceeded as an evangelist to Cornwall. This was on Oct. 1, 1753. He continued his work till his death, which took place suddenly in London, in March 1799. He was buried in Wesley's tomb in the City Road Chapel burying ground, London. Olivers was for some time co-editor with J. Wesley of the Arminian Magazine, but his lack of education unfitted him for the work. As the author of the tune Helmsley, and of the hymn “The God of Abraham praise," he is widely known. He also wrote “Come Immortal King of glory;" and "O Thou God of my salvation," whilst residing at Chester; and an Elegy on the death of John Wesley. His hymns and the Elegy were reprinted (with a Memoir by the Rev. J. Kirk) by D. Sedgwick, in 1868.
--John Julian, Dictionary of Hymnology (1907)
Thomas Olivers
John Cennick
1718 - 1755 Person Name: J. Cennick Author of "Lo! He comes with clouds descending" in The Church Hymnal John Cennick was born at Reading, Berkshire, in the year 1717. He became acquainted with Wesley and Whitefield, and preached in the Methodist connection. On the separation of Wesley and Whitefield he joined the latter. In 1745, he attached himself to the Moravians, and made a tour in Germany to fully acquaint himself with the Moravian doctrines. He afterwards ministered in Dublin, and in the north of Ireland. He died in London, in 1755, and was buried in the Moravian Cemetery, Chelsea. He was the author of many hymns, some of which are to be found in every collection.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
=======================
Cennick, John, a prolific and successful hymnwriter, was descended from a family of Quakers, but brought up in the Church of England. He assisted J. Wesley and then G. Whitefield in their labours for a time, and then passed over to, and died as a minister of, the Moravian Church. Born at Reading, Dec. 12, 1718, he was for some time a land surveyor at Reading, but becoming acquainted with the Wesleys in 1739, he was appointed by J. Wesley as a teacher of a school for colliers' children at Kingswood in the following year. This was followed by his becoming a lay preacher, but in 1740 he parted from the Wesleys on doctrinal grounds. He assisted Whitefield until 1745, when he joined the Mora¬vians, and was ordained deacon, in London, in 1749. His duties led him twice to Germany and also to the North of Ireland. He died in London, July 4, 1755. In addition to a few prose works, and some sermons, he published:— (1) Sacred Hymns, for the Children of God in the Days of their Pilgrimage, Lond., J. Lewis, n.d. (2nd ed. Lond., B. Milles, 1741), Pts. ii., iii., 1742; (2) Sacred Hymns for the Use of Religious Societies, &c, Bristol, F. Farley, 1743; (3) A Collection of Sacred Hymns, &c, Dublin, S. Powell, 3rd ed., 1749; (4) Hymns to the honour of Jesus Christ, composed for such Little Children as desire to be saved. Dublin, S. Powell, 1754. Additional hymns from his manuscripts were published by his son-in-law, the Rev. J. Swertner, in the Moravian Hymn Book, 1789, of which he was the editor. There are also 16 of his hymns in his Sermons, 2 vols., 1753-4, some being old hymns rewritten, and others new.
Many of Cennick's hymns are widely known, as, "Lo, He cometh, countless trumpets;" “Brethren, let us join to bless;" "Jesus, my all, to heaven is gone;" "Children of the heavenly King;" "Ere I sleep, for every favour;" "We sing to Thee, Thou Son of God;" and the Graces: " Be present at our table, Lord;" and "We thank Thee, Lord;" &c. Some of the stanzas of his hymns are very fine, but the hymns taken as a whole are most unequal. Some excellent centos might be compiled from his various works. His religious experiences were given as a preface to his Sacred Hymns, 1741. In addition to the hymns named, and others annotated under their first lines, the following are in common use:—
1. Be with me [us] Lord, where'er I [we] go. Divine Protection. [1741.]
2. Cast thy burden on the Lord. Submission. [1743.]
3. Not unto us, but Thee alone. Praise to Jesus. [1743.]
4. Thou dear Redeemer, dying Lamb. Priesthood of Christ. [1743.]
5. We sing to Thee, Thou Son of God. Praise to Jesus. [1743.]
6. When, 0 dear Jesus, when shall I? Sunday Evening. [1743.]
--John Julian, Dictionary of Hymnology (1907)
John Cennick
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
Small Church Music
Editors: John Cennick Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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