Jesus Paid It All

• Isaiah 1:18
  (hymns)
• Ezekiel 11:19
  (hymns)
• Ezekiel 19
  (hymns)
• Zechariah 13:1
  (hymns)
• Matthew 8:2-3
  (hymns)
• Mark 10:45
  (hymns)
• Mark 14:38
  (hymns)
• John 19:30
  (hymns)
• 1 Corinthians 6:19-20
  (hymns)
• 2 Corinthians 12:9-10
  (hymns)
• Ephesians 1:7
  (hymns)
• Colossians 4:2
  (hymns)
• Colossians 4:12
  (hymns)
• 1 Timothy 2:6
  (hymns)
• Hebrews 7:27
  (hymns)
• Hebrews 9:14
  (hymns)
• Hebrews 9:22
  (hymns)
• 1 Peter 1:18-19
  (hymns)
• 1 Peter 2:24
  (hymns)
• 1 John 1:7
  (hymns)
• Revelation 5:11-14
  (hymns)
• Revelation 7:14
  (hymns)

Text:

In 1865, Elvina M. Hall wrote this hymn on the flyleaf of a hymnal, New Lute of Zion, during a Sunday morning service at a Methodist church in Baltimore. It was first published in 1868 in Sabbath Carols. The original text had five stanzas, but the standard text in modern hymnals contains four, some of which are substantially altered from the original. It is not known who is responsible for the modern version. The theme of the text is the completeness of Jesus' work on the cross, and the fact that humans have done nothing to merit such mercy, which means that we are forever in debt to Christ.

Tune:

The organist at Mrs. Hall's church, John T. Grape, is the composer of the tune ALL TO CHRIST, which is the only tune to which this hymn is sung. It was written in 1868, while the church was undergoing renovation. The cabinet organ of the church had been moved to Grape's home during that period, and he took advantage of the access to the instrument to write this tune. This hymn should be sung quietly, in unison or harmony. Some hymnals indicate a fermata on the word “stain” in the refrain.

When/Why/How:

This hymn is associated with Lent and Holy Week, and is also suitable for Communion. It could be used as a short piano interlude as Communion is served, such as is found in “Hymn Miniatures for Communion.” For a time of meditation on the meaning of the sacrament, a quiet instrumental setting is appropriate. A straightforward handbell arrangement of “Jesus Paid It All” is suitable for a time of meditation. A quiet setting for piano can be found in “Hymns We Love.” This hymn can also be combined in a medley with similar hymns. “Lenten Reflections” blends “Jesus Paid It All” with “Alas, and Did My Savior Bleed” in a thoughtfully paced handbell arrangement.

Tiffany Shomsky,
Hymnary.org

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