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Sing With Holy Gladness
Appears in 74 hymnals First Line: Come sing with holy gladness Used With Tune: ELLACOMBE
Sing With Holy Gladness
LANCASHIRE
Appears in 701 hymnals Composer and/or Arranger: H. Smart Incipit: 55346 53114 56255 Used With Text: Come; sing with holy gladness
LANCASHIRE
Come, Sing with Holy Gladness
Author: John of Damascus; J. M. Neale; Samuel Longfellow Hymnal: Heart and Voice #259 (1910) First Line: Come sing with holy gladness Languages: English Tune Title: [Come sing with holy gladness]
Come, Sing with Holy Gladness
Come, Sing with Holy Gladness
Author: John Jeremiah Daniell Hymnal: The Junior Hymnal, Containing Sunday School and Luther League Liturgy and Hymns for the Sunday School #15 (1928) Languages: English Tune Title: [Come, sing with holy gladness]
Come, Sing with Holy Gladness
Come, Sing with Holy Gladness
Author: John Daniell Hymnal: The Cyber Hymnal #1113 Meter: 7.6.7.6 D Lyrics: 1. Come, sing with holy gladness,
High alleluias sing,
Uplift your loud hosannas
To Jesus, Lord and King;
Sing, boys in joyful chorus
Your hymn of praise today,
And sing, ye gentle maidens,
Your sweet responsive lay.
2. ’Tis good for boys and maidens
Sweet hymns to Christ to sing,
’Tis meet that children’s voices
Should praise the children’s King:
For Jesus is salvation,
And glory, grace and rest;
To babe and boy and maiden
The one Redeemer blest.
3. O boys, be strong in Jesus,
To toil for him is gain,
And Jesus wrought with Joseph
With chisel, saw and plane;
O maidens, live for Jesus,
Who was a maiden’s Son;
Be patient, pure and gentle,
And perfect grace begun.
4. Soon in the golden city
The boys and girls shall play,
And through the dazzling mansions
Rejoice in endless day;
O Christ, prepare Thy children
With that triumphant throng
To pass the burnished portals,
And sing th’eternal song. Languages: English Tune Title: ELLACOMBE
Come, Sing with Holy Gladness
Anonymous
Composer of "ELLACOMBE" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
William Henry Monk
1823 - 1889 Harmonizer of "ELLACOMBE" in The Cyber Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
Conrad Kocher
1786 - 1872 Person Name: Kocher Composer of "ELLACOMBE" in The Song Companion to the Scriptures Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Stiftskirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for “Treuer Heiland, wir sind hier,” found in Kocher's Stimmen aus dem Reiche Gottes (1838).
Bert Polman
Conrad Kocher
