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Text Identifier:"^he_hides_within_the_lily$"

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He hides within the lily

Author: W. C. Gannett Appears in 32 hymnals Used With Tune: MISSIONARY HYMN

Tunes

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MUNICH

Meter: 7.6.7.6 D Appears in 368 hymnals Tune Sources: Meiningisches Gesangbuch, 1693 Tune Key: E Flat Major Incipit: 12365 43335 43221 Used With Text: He hides within the lily
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LANCASHIRE

Appears in 679 hymnals Composer and/or Arranger: Henry Smart Incipit: 55346 53114 56255 Used With Text: He hides within the lily
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MISSIONARY HYMN

Appears in 815 hymnals Incipit: 13556 53171 43321 Used With Text: He hides within the lily

Instances

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He Hides Within the Lily

Author: W. C. Gannett Hymnal: A Book of Song and Service #134 (1905) Topics: Progress and Patriotism Languages: English Tune Title: [He hides within the lily]

He hides within the lily

Author: William Channing Gannett Hymnal: The Beacon Song and Service book #67 (1935) Meter: 7.6.7.6 D Topics: Nature Languages: English Tune Title: MUNICH
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He hides within the lily

Author: Rev. W. C. Gannett, 1820- Hymnal: Hymnal, Amore Dei. Rev. ed. #a46 (1903) Languages: English

People

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Henry Thomas Smart

1813 - 1879 Person Name: Henry Smart Composer of "LANCASHIRE" in The Beacon Hymnal Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

John Bacchus Dykes

1823 - 1876 Person Name: Rev. J. B. Dykes, 1823-1876 Composer of "ST. ALFORD (Lilium)" in Hymnal Amore Dei As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Joseph Barnby

1838 - 1896 Composer of "[He hides within the lily]" in A Book of Song and Service Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman
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