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O Praise Ye the Lord
Meter: 10.10.11.11 Appears in 20 hymnals First Line: O praise ye the Lord And sing a new song
O Praise Ye the Lord
LAUDATE DOMINUM
Meter: 10.10.11.11 Appears in 83 hymnals Composer and/or Arranger: C. Hubert H. Parry, 1848-1918 Tune Key: B Flat Major Incipit: 53125 16543 53251 Used With Text: Give Praise to Our God
LAUDATE DOMINUM
HANOVER (CROFT)
Meter: 10.10.11.11 Appears in 329 hymnals Composer and/or Arranger: William Croft, 1678-1727 Tune Key: D Major Incipit: 51123 51271 23217 Used With Text: O Praise Ye the Lord
HANOVER (CROFT)
Sing to the LORD, Sing a New Song
Author: Hal H. Hopson Hymnal: Christian Worship #149A (2021) Meter: 10.10.11.11 First Line: Sing praise to the LORD, come sing a new song Topics: All Saints' Day; Danger; Endurance; Grace; Joy; Orphans; Peoples; Singing; Thanksgiving; Zion Scripture: Psalm 149 Languages: English Tune Title: STOWEY
Sing to the LORD, Sing a New Song
Sing Praise to the LORD
Hymnal: Psalter Hymnal (Gray) #149 (1987) Meter: 10.10.11.11 First Line: Sing praise to the LORD, come sing a new song Lyrics: 1 Sing praise to the LORD; come, sing a new song.
Amid all his saints his praises prolong.
Let Israel be glad in their Maker and sing;
let all Zion's people rejoice in their King.
2 With timbrel and harp and joyful acclaim,
with dancing and song give praise to his name.
For God in his people his pleasure will seek,
with robes of salvation adorning the meek.
3 In glory exult, you saints of the LORD;
with songs in the night high praises accord.
Go forth in his service, be strong in his might
to conquer all evil and stand for the right.
4 For this is God's word: his saints shall not fail,
but over the earth their power shall prevail.
All kingdoms and nations shall yield to their sword
thus God shows his glory. Sing praise to the LORD!
Topics: Election; Return of Christ; Alleluias; Election; Return of Christ Scripture: Psalm 149 Languages: English Tune Title: HANOVER
Sing Praise to the LORD
Sing Praise to the Lord
Hymnal: The Worshiping Church #346 (1990) Meter: 10.10.11.11 First Line: Sing praise to the Lord; come sing a new song Lyrics: 1 Sing praise to the Lord; come, sing a new song.
Amid all his saints his praises prolong.
The praise of their Maker his people shall sing,
and children of Zion rejoice in their King.
2 With timbrel and harp and joyful acclaim,
with dancing and song give praise to his name.
For God in his people his pleasure will seek;
with robes of salvation adorning the meek.
3 In glory exult, you saints of the Lord.
With songs in the night high praises record.
Go forth in his service, be strong in his might
to conquer all evil and stand for the right.
4 For this is God's word: his saints shall not fail,
but over the earth their power shall prevail.
All kingdoms and nations shall yield to their sword--
thus God shows his glory; sing praise to the Lord!
Topics: God's Word; Adoration of God; Challenge; Church Final Victory; Courage; Descants; God’s Word; Psalms Scripture: Psalm 149 Languages: English Tune Title: HANOVER
Sing Praise to the Lord
William H. Young
Person Name: W. H. Young Composer of "[O praise ye the Lord]" in Bible Songs No. 4
William H. Young
Michael Haydn
1737 - 1806 Person Name: J. Michael Haydn, 18th cent. Composer (attributed to) of "LYONS" in Psalms and Hymns to the Living God Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria.
John Perry
Michael Haydn
Joseph Martin Kraus
1756 - 1792 Arranger of "LYONS" in Psalms and Hymns to the Living God Joseph Martin Kraus (b. Miltenberg am Main, Germany, 1756; d. Stockholm, Sweden, 1792) spent his youth in Germany, but in 1778 moved to Stockholm. He was elected to the Swedish Academy of Music and became the conductor of the court orchestra and eventually the best-known composer associated with the court of Gustavus III. On his travels, Kraus did meet Franz Joseph Haydn, who considered Kraus “one of the greatest geniuses I have met.” Kraus wrote operas as well as many vocal and instrumental works.
Bert Polman
Joseph Martin Kraus
